Alice Coote (b. 1968)

Birthplace:
Frodsham, Cheshire

Born:
May 10, 1968

Coote was born in Frodsham, Cheshire, the daughter of the painter Mark Coote. She was educated at the Guildhall School of Music and Drama in London (though she did not complete her course), the Royal Northern College of Music in Manchester (where she came into contact with Janet Baker and Brigitte Fassbaender) and the National Opera Studio during 1995/96. Coote was a BBC Radio 3 New Generation Artist from 2001 until 2003. She sings both operatic (particularly trouser roles) and recital repertoire, in the latter often with pianist Julius Drake.  An interpreter of Handel ("his music could keep you going for a whole career") she has performed contemporary pieces such as Dominick Argento's From the Diary of Virginia Woolf, a partly atonal work first performed by Janet Baker, an influence on Coote. Judith Weir has written a song cycle, The Voice of Desire, especially for her; it was premiered at a BBC Chamber Prom.  Coote has performed at England's Opera North, the English National Opera, the Metropolitan Opera in New York (Hansel in Humperdinck's Hansel and Gretel), the San Francisco Opera in 2002 (Ruggiero in Handel's Alcina) and 2008 (Idamante in Mozart's Idomeneo).[3] In 2009, she sang Maffio Orsini in Gaetano Donizetti's Lucrezia Borgia at the Bavarian State Opera. She also appeared in 2011 as Prince Charming in Cendrillon at the Royal Opera House. In 2013, she played Sextus in the Metropolitan Opera's production of Handel's Giulio Cesare. In March 2017 she reprised the role of Idamante in six performances at the Metropolitan Opera.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.