A work in constant progress (and occasional regress).
Alias:
Philip Latimer Dike
Birthplace:
Redlands, California, USA
Born:
April 6, 1906
Died:
April 24, 1990
Dike's achieved success as an artist early on, and was involved with the California Water Color Society, which included Millard Sheets, Lee Blair, Hardie Gramatky, Ralph Hulett, Emil Kosa, Phil Paradise, Milford Zornes, Paul Sample, and Barse Miller. The members of the society captured California light and color. Transparent watercolor paint was their favored medium. Between 1927 and 1955, Phil Dike exhibited his works more than any other California Water Color Society member. His work won many awards.At this time, California gave birth to another art form: full color animated cartoons. One company managed to corner exclusive rights to having animated color film developed, and that company was lead by Walt Disney. Disney gained fame and with it, huge expectations to produce top quality films. He hired top artists from across the country such as recent Chicago Art Institute graduate Joshua Meador. In 1935, Disney also hired Phil Dike to teach advanced drawing and composition to his artists. Dike did work on some Disney films including Snow White and Fantasia. He said of artists working for Disney, "One of the greatest things Disney has to offer an artist is the discipline of having to sell his stuff by making definite and difficult statements, in simple and uncomplicated language, pictorially speaking. "His work is in many museums, most notably, the Los Angeles County Museum of Art and the Metropolitan Museum of Art in New York. -http://www.bodegabayheritagegallery.com/Dike_Phil_.htm
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.