A work in constant progress (and occasional regress).
Alexis Lefebvre studied at The National Theatre School of Canada. He has trod the boards of countless theaters and started his career with the Dave Saint-Pierre (Foudre, Over my dead body, Un peu de tendresse bordel de merde, La pornographie des âmes). He also worked with Éric jean (Les mystères de Quat'sous) and La Chapelle theater (Caligula-Remix, De rage, Plyball, ...). Alexis is playing in the play La nuit du 4 au 5 (m.e.s Claude Poissant, text Rachel Graton), presented at the Centre du Théâtre d'Aujourd'hui. You could also have seen him in television in Toute la vérité, Les hauts et les bas de Sophie Paquin, Yamaska, Mensonges, Pour Sarah and District 31. In the last years, you could have seen him in La nuit du 4 au 5, Pan B, Les yeux fermés, Les Cavaliers, L’oeil du cyclone and 5e rang. As well as in the impressive series Les pays d'en haut in the role of Dr. Marignon. He also was part of the series Les Simone and Les honorable. In cinema, he worked with Louis Bélanger in Les mauvaises herbes and with Robin Aubert in L'origine d'un cri. In 2020, you could have seen him in the ambitious series C’est comme ça que je t’aime, wrote by François Létourneau et directed by Jean-François Rivard. Furthermore, he lends his voice on many narratives and dubbling projects, ranging from original documentary series made in Quebec, to an impressive number of commercials and several works of fiction for both television and film.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.