A work in constant progress (and occasional regress).
ADR Editor:
2019 The Death & Life of John F. Donovan
Foley Recordist:
2008 After the Ballot
2019 The Death & Life of John F. Donovan
Recording Supervision:
2008 After the Ballot
2019 Sympathy for the Devil
2019 The Death & Life of John F. Donovan
Sound:
2008 After the Ballot
2019 Matthias & Maxime
2019 Sympathy for the Devil
2019 The Death & Life of John F. Donovan
2020 Dave Not Coming Back
2021 Pharmakon
2025 Peak Everything
2025 Pippa et Léo
Sound Designer:
2008 After the Ballot
2009 I Killed My Mother
2010 Heartbeats
2014 Mommy
2016 2149: The Aftermath
2019 Matthias & Maxime
2019 Sympathy for the Devil
2019 The Death & Life of John F. Donovan
2020 Dave Not Coming Back
2021 Pharmakon
2022 Rojek
2025 Peak Everything
2025 Pippa et Léo
2025 Spare My Bones, Coyote!
Sound Editor:
2008 After the Ballot
2009 I Killed My Mother
2010 Heartbeats
2014 Mommy
2014 Tom at the Farm
2016 2149: The Aftermath
2019 Genesis
2019 Matthias & Maxime
2019 Sympathy for the Devil
2019 The Death & Life of John F. Donovan
2020 Dave Not Coming Back
2021 Pharmakon
2022 Rojek
2025 Peak Everything
2025 Pippa et Léo
2025 Spare My Bones, Coyote!
Sound Effects Editor:
2008 After the Ballot
2009 I Killed My Mother
2010 Heartbeats
2014 Mommy
2014 Tom at the Farm
2016 2149: The Aftermath
2016 It's Only the End of the World
2016 King Dave
2019 Genesis
2019 Matthias & Maxime
2019 Sympathy for the Devil
2019 The Death & Life of John F. Donovan
2020 Dave Not Coming Back
2021 Pharmakon
2022 Rojek
2025 Peak Everything
2025 Pippa et Léo
2025 Spare My Bones, Coyote!
Sound Mixer:
2008 After the Ballot
2009 I Killed My Mother
2010 Heartbeats
2013 Tutankhamun: The Mystery of the Burnt Mummy
2014 Mommy
2014 Tom at the Farm
2016 2149: The Aftermath
2016 It's Only the End of the World
2016 King Dave
2019 Genesis
2019 Matthias & Maxime
2019 Sympathy for the Devil
2019 The Death & Life of John F. Donovan
2020 Dave Not Coming Back
2021 Beneath the Surface
2021 Pharmakon
2022 Rojek
2024 Friday Night
2025 Peak Everything
2025 Pippa et Léo
2025 Spare My Bones, Coyote!
Sound Re-Recording Mixer:
2008 After the Ballot
2009 I Killed My Mother
2010 Heartbeats
2013 Tutankhamun: The Mystery of the Burnt Mummy
2014 Mommy
2014 Tom at the Farm
2016 2149: The Aftermath
2016 It's Only the End of the World
2016 King Dave
2019 Genesis
2019 Matthias & Maxime
2019 Sympathy for the Devil
2019 The Death & Life of John F. Donovan
2020 Dave Not Coming Back
2021 Beneath the Surface
2021 Pharmakon
2022 Rojek
2024 Friday Night
2025 Peak Everything
2025 Pippa et Léo
2025 Spare My Bones, Coyote!
Supervising Sound Editor:
2008 After the Ballot
2009 I Killed My Mother
2010 Heartbeats
2012 Laurence Anyways
2013 Tutankhamun: The Mystery of the Burnt Mummy
2014 Mommy
2014 Tom at the Farm
2016 2149: The Aftermath
2016 It's Only the End of the World
2016 King Dave
2019 Genesis
2019 Matthias & Maxime
2019 Sympathy for the Devil
2019 The Death & Life of John F. Donovan
2020 Dave Not Coming Back
2021 Beneath the Surface
2021 Pharmakon
2022 Rojek
2024 Friday Night
2025 Peak Everything
2025 Pippa et Léo
2025 Spare My Bones, Coyote!
Music Editor:
2022 The Night Logan Woke Up
Sound:
2020 Transplant
2022 The Night Logan Woke Up
Sound Designer:
2020 Transplant
2022 The Night Logan Woke Up
Sound Re-Recording Mixer:
2020 Transplant
2022 The Night Logan Woke Up
Sound Supervisor:
2020 Transplant
2022 The Night Logan Woke Up
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.