Kogonada

Alias:
:: kogonada
Ernie Park
코고나다

Birthplace:
Seoul, South Korea

Kogonada is a South Korean-born American filmmaker known for his feature films Columbus and After Yang, as well as his video essays: short videos which analyze the content, form, and structure of films and television series generally through narration and editing. His video essays often highlight a particular aesthetic used by film directors.

Additional information:

The Search Form


Director:
2010  Lunch Line
2012  Kubrick: One-Point Perspective
2012  Ozu: Passageways
2012  Sounds of Aronofsky
2012  Tarantino: From Below
2013  Against Tyranny: Video Essay on King of the Hill
2013  BIFA: 15 Years
2013  Linklater: On Cinema and Time
2013  Malick: Fire & Water
2013  The World According to Koreeda Hirokazu
2013  What Is Neorealism?
2014  Criterion Designs
2014  Eyes of Hitchcock
2014  Hands of Bresson
2014  The Eye & the Beholder
2014  Trick or Truth
2014  Wes Anderson: Centered
2015  Auteur in Space
2015  Dreams of Cinema
2015  Elemental
2015  Mirrors of Bergman
2015  On Solace
2015  Restoring the Apu Trilogy
2016  Godard in Fragments
2016  The Way of Folk
2016  Way of Ozu
2017  Columbus
2017  Once There Was Everything
2017  Wes Anderson: From Above
2022  After Yang
????  A Big Bold Beautiful Journey

Editor:
2010  Lunch Line
2012  Kubrick: One-Point Perspective
2012  Ozu: Passageways
2012  Sounds of Aronofsky
2012  Tarantino: From Below
2013  Against Tyranny: Video Essay on King of the Hill
2013  BIFA: 15 Years
2013  Linklater: On Cinema and Time
2013  Malick: Fire & Water
2013  The World According to Koreeda Hirokazu
2013  What Is Neorealism?
2014  Criterion Designs
2014  Eyes of Hitchcock
2014  Hands of Bresson
2014  The Eye & the Beholder
2014  Trick or Truth
2014  Wes Anderson: Centered
2015  Auteur in Space
2015  Dreams of Cinema
2015  Elemental
2015  Mirrors of Bergman
2015  On Solace
2015  Restoring the Apu Trilogy
2016  Godard in Fragments
2016  The Way of Folk
2016  Way of Ozu
2017  Columbus
2017  Once There Was Everything
2017  Wes Anderson: From Above
2022  After Yang
????  A Big Bold Beautiful Journey

Editorial Staff:
2010  Lunch Line
2012  Kubrick: One-Point Perspective
2012  Ozu: Passageways
2012  Sounds of Aronofsky
2012  Tarantino: From Below
2013  Against Tyranny: Video Essay on King of the Hill
2013  BIFA: 15 Years
2013  Linklater: On Cinema and Time
2013  Malick: Fire & Water
2013  The World According to Koreeda Hirokazu
2013  What Is Neorealism?
2014  Criterion Designs
2014  Eyes of Hitchcock
2014  Hands of Bresson
2014  The Eye & the Beholder
2014  Trick or Truth
2014  Wes Anderson: Centered
2015  Auteur in Space
2015  Dreams of Cinema
2015  Elemental
2015  Mirrors of Bergman
2015  On Solace
2015  Restoring the Apu Trilogy
2016  Godard in Fragments
2016  The Way of Folk
2016  Way of Ozu
2017  Columbus
2017  Once There Was Everything
2017  Wes Anderson: From Above
2022  After Yang
????  A Big Bold Beautiful Journey

Executive Producer:
2010  Lunch Line
2012  Kubrick: One-Point Perspective
2012  Ozu: Passageways
2012  Sounds of Aronofsky
2012  Tarantino: From Below
2013  Against Tyranny: Video Essay on King of the Hill
2013  BIFA: 15 Years
2013  Linklater: On Cinema and Time
2013  Malick: Fire & Water
2013  The World According to Koreeda Hirokazu
2013  What Is Neorealism?
2014  Criterion Designs
2014  Eyes of Hitchcock
2014  Hands of Bresson
2014  The Eye & the Beholder
2014  Trick or Truth
2014  Wes Anderson: Centered
2015  Auteur in Space
2015  Dreams of Cinema
2015  Elemental
2015  Mirrors of Bergman
2015  On Solace
2015  Restoring the Apu Trilogy
2016  Godard in Fragments
2016  The Way of Folk
2016  Way of Ozu
2017  Columbus
2017  Once There Was Everything
2017  Wes Anderson: From Above
2022  After Yang
????  A Big Bold Beautiful Journey

Writer:
2010  Lunch Line
2012  Kubrick: One-Point Perspective
2012  Ozu: Passageways
2012  Sounds of Aronofsky
2012  Tarantino: From Below
2013  Against Tyranny: Video Essay on King of the Hill
2013  BIFA: 15 Years
2013  Linklater: On Cinema and Time
2013  Malick: Fire & Water
2013  The World According to Koreeda Hirokazu
2013  What Is Neorealism?
2014  Criterion Designs
2014  Eyes of Hitchcock
2014  Hands of Bresson
2014  The Eye & the Beholder
2014  Trick or Truth
2014  Wes Anderson: Centered
2015  Auteur in Space
2015  Dreams of Cinema
2015  Elemental
2015  Mirrors of Bergman
2015  On Solace
2015  Restoring the Apu Trilogy
2016  Godard in Fragments
2016  The Way of Folk
2016  Way of Ozu
2017  Columbus
2017  Once There Was Everything
2017  Wes Anderson: From Above
2022  After Yang
????  A Big Bold Beautiful Journey

Director:
2022  Pachinko
2024  The Acolyte

Executive Producer:
2022  Pachinko
2024  The Acolyte

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.