A work in constant progress (and occasional regress).
Sound:
2014 Norway
2018 The Forest
2025 Quiet Life
Sound Designer:
2013 The Eternal Return of Antonis Paraskevas
2014 Norway
2014 Proavlio
2015 A Family Affair
2018 The Forest
2019 In The Room
2019 The Distance Between Us and the Sky
2019 Zizotek
2020 Tailor
2022 Holy Emy
2022 Pack of Sheep
2022 The City and the City
2024 She Loved Blossoms More
2025 Quiet Life
Sound Editor:
2013 The Eternal Return of Antonis Paraskevas
2014 Norway
2014 Proavlio
2015 A Family Affair
2018 The Forest
2019 Electric Swan
2019 Holy Boom
2019 In The Room
2019 The Distance Between Us and the Sky
2019 Zizotek
2020 Tailor
2022 Holy Emy
2022 Pack of Sheep
2022 The City and the City
2024 She Loved Blossoms More
2024 What Mary Didn't Know
2025 Quiet Life
Sound Mixer:
2013 The Eternal Return of Antonis Paraskevas
2014 Norway
2014 Proavlio
2015 A Family Affair
2018 The Forest
2019 Electric Swan
2019 Holy Boom
2019 In The Room
2019 The Distance Between Us and the Sky
2019 Zizotek
2020 Tailor
2022 Holy Emy
2022 Pack of Sheep
2022 The City and the City
2024 Phoebe
2024 She Loved Blossoms More
2024 What Mary Didn't Know
2025 Quiet Life
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.