A work in constant progress (and occasional regress).
Assistant Camera:
1957 Spotkania
1958 Ashes and Diamonds
1958 Pills for Aurelia
1958 The Noose
1958 Two from the Big River
1959 Cross of Valor
1959 The Stone Sky
1960 Zobaczymy się w niedzielę
1961 April
1961 Nafta
1961 Ostrożnie yeti
1962 Knife in the Water
1963 Mrs. Hanka's Diary
1963 Skąpani w ogniu
1963 The Lost Bridge
1964 Giuseppe in Warsaw
1965 Wyspa złoczyńców
1966 Miejsce dla jednego
1966 Sobótki
1967 Full Ahead
1967 The Killer Leaves a Trace
1967 Zabijaka
1968 Fatalista
1968 Ostatni po Bogu
1968 Poczmistrz
1968 The Vampire
1969 Co jest w człowieku w środku
1969 Only the Dead Can Answer
1969 The Red and the Gold
1970 Signs on the Road
1971 Martwa fala
1972 Ten okrutny, nikczemny chłopak
1973 Possession
1978 Top Dog
1985 Hands Up!
1989 Long Night
Camera Operator:
1957 Spotkania
1958 Ashes and Diamonds
1958 Pills for Aurelia
1958 The Noose
1958 Two from the Big River
1959 Cross of Valor
1959 The Stone Sky
1960 Zobaczymy się w niedzielę
1961 April
1961 Nafta
1961 Ostrożnie yeti
1962 Knife in the Water
1963 Mrs. Hanka's Diary
1963 Skąpani w ogniu
1963 The Lost Bridge
1964 Giuseppe in Warsaw
1965 Wyspa złoczyńców
1966 Miejsce dla jednego
1966 Sobótki
1967 Full Ahead
1967 The Killer Leaves a Trace
1967 Zabijaka
1968 Fatalista
1968 Ostatni po Bogu
1968 Poczmistrz
1968 The Vampire
1969 Co jest w człowieku w środku
1969 Only the Dead Can Answer
1969 The Red and the Gold
1970 Signs on the Road
1971 Martwa fala
1972 Ten okrutny, nikczemny chłopak
1973 Possession
1976 Zofia
1978 Quiet Is the Night
1978 Top Dog
1983 Przeklęta ziemia
1985 Hands Up!
1989 Long Night
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.