Bartlett Sher

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Co-Executive Producer:
2021  Oslo

Director:
2007  Il Barbiere di Siviglia
2008  Gounod: Romeo et Juliette
2009  Offenbach: Les Contes d'Hoffmann
2011  Le comte Ory
2012  The Metropolitan Opera: L'Elisir d'Amore
2015  The Metropolitan Opera: The Tales of Hoffmann
2015  Verdi: Otello
2017  The Metropolitan Opera: Roméo et Juliette
2018  Donizetti: L'Elisir d'Amore
2021  Oslo
2024  MET Opera: Les Contes d’Hoffmann
2024  The Metropolitan Opera: Romeo et Juliette
2025  MET Opera: Il Barbiere di Siviglia

Production Design:
2007  Il Barbiere di Siviglia
2008  Gounod: Romeo et Juliette
2009  Offenbach: Les Contes d'Hoffmann
2011  Le comte Ory
2012  The Metropolitan Opera: L'Elisir d'Amore
2014  The Metropolitan Opera: Il Barbiere di Siviglia
2015  The Metropolitan Opera: The Tales of Hoffmann
2015  Verdi: Otello
2017  The Metropolitan Opera: Roméo et Juliette
2018  Donizetti: L'Elisir d'Amore
2021  Oslo
2022  The Metropolitan Opera: Rigoletto
2024  MET Opera: Les Contes d’Hoffmann
2024  The Metropolitan Opera: Romeo et Juliette
2025  MET Opera: Il Barbiere di Siviglia

Stage Director:
2007  Il Barbiere di Siviglia
2008  Gounod: Romeo et Juliette
2009  Offenbach: Les Contes d'Hoffmann
2010  South Pacific
2011  Le comte Ory
2012  The Metropolitan Opera: L'Elisir d'Amore
2014  The Metropolitan Opera: Il Barbiere di Siviglia
2015  The Metropolitan Opera: The Tales of Hoffmann
2015  Verdi: Otello
2017  The Metropolitan Opera: Roméo et Juliette
2018  Donizetti: L'Elisir d'Amore
2021  Oslo
2022  Intimate Apparel
2022  The Metropolitan Opera: Rigoletto
2024  MET Opera: Les Contes d’Hoffmann
2024  The Metropolitan Opera: Romeo et Juliette
2025  MET Opera: Il Barbiere di Siviglia

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.