Ève Angeli (b. 1980)

Birthplace:
Sète, Hérault, France

Born:
August 25, 1980

Vanessa Annelyse Ève Garcin (born 25 August 1980 in Sète, Hérault, France), better known by her stage name Ève Angeli is a French pop singer, who won an NRJ Music Award for Best New French Artist in 2000–2002.  She began her rise to fame on the television show Graines de star in 2010. Her star-making performance on the show led to a major-label recording contract with Sony Music and the eventual release of her debut single, "Avant de venir" in 2000. The lead single from her forthcoming full-length album debut, "Aime-Moi" (2002), "Avant de Partir" was a Top Five hit on the French singles chart. The follow-up single "Elle" was a major hit also, breaking into the Top Ten, and though successive singles "Je Sais" and "C'est Pour Ça" were less popular, the run of hit singles helped carry Aime-Moi to number 11 on the French albums chart. In 2002 Angeli won the NRJ Music Award for Best New French Artist and released her second album, "Nos Différences", which spawned a modest hit with its title track, a bilingual collaboration with the British boy band A1. Relative to her debut album, however, "Nos Différences" was a disappointment and Angeli subsequently receded from the spotlight for a couple years. She re-emerged in 2004 with the reality TV show La Ferme Célébrités, a greatest-hits compilation "Le Meilleur d'Eve Angeli", and the new single "Une Chanson dans le Coeur," her biggest hit in years. Her third album, "Viens" (2005), followed, and while it spawned a couple modest hits with "Viens" and "Je Vais T'aimer," it continued to mark a downturn in Angeli's commercial success and concluded her association with Sony.  In subsequent years, Angeli published a book, Mes Evangélismes: Pensées d'une Blonde (2007), and released her first independent album, "Revolution" (2008).  Source: Article "Ève Angeli" from Wikipedia in english, licensed under CC-BY-SA 3.0.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.