Adolfo J. Kolmerer

Alias:
Adolfo Kolmerer

Birthplace:
Caracas, Venezuela

Adolfo is an Award winning Film and commercial director based in Berlin, Germany Born in Caracas, Venezuela, and soon after getting his degree in informatics Adolfo decided to do something different. So he packed all his stuff in a 20 kgs suitcase, left his home country and moved to Berlin, Germany. While learning german and doing various jobs, he was invited to visit a movie set and in that moment he found his true calling: making films.  He learned the ropes of filmmaking quickly and never looked back. he has been doing his dream job ever since - shooting shorts, features, commercials and music videos. He's the happiest person when he is on set, very passionate about what he does and enjoys pushing the limits and going the extra mile.  Adolfo can work fluently in three languages: English, Spanish and German. And he greatly enjoys going everywhere in the world to do what he loves.

Additional information:

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Director:
2012  A Time of Vultures
2015  Cro: MTV Unplugged
2017  Snowflake
2019  Abikalypse
2019  Abikalypse

Creator:
2024  Oderbruch

Director:
2020  Sløborn
2022  Liberame - Nach dem Sturm
2024  Oderbruch

Executive Producer:
2020  Sløborn
2022  Liberame - Nach dem Sturm
2024  Oderbruch

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.