Masha Godovannaya (b. 1976)

Alias:
Маша Годованная

Birthplace:
Moscow, USSR (Russia)

Born:
October 1, 1976

Masha Godovannaya (Russian: Маша Годованная; born 1976; Moscow) is a Russian visual artist, queer-feminist researcher, curator and educator based in Vienna, Austria. She studied music, literature, and book publishing before leaving for the United States in 1995. In New York, she programmed film series in various cultural institutions and festivals. She returned to St. Petersburg, Russia, in 2003 where she continued her artistic career and taught film/video classes at the Department of Liberal Arts and Science (Smolny College) of St. Petersburg State University. In 2016, she entered the Academy of Fine Arts, Vienna, Austria, as a PhD-in-Practice candidate. Masha holds an MFA degree in Film/Video from Milton Avery Graduate School of the Arts, Bard College, New York, and an MA in Sociology from European University in St. Petersburg, Russia. Her films and visual works have been shown at many festivals, screenings, and art venues (such as Rotterdam Film Festival, the Tate Modern, Oberhausen International Film Festival, London Film Festival, Manifesta-10, 7th Liverpool Biennial, Center Georges Pompidou, etc.

Additional information:

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Director:
1999  New York Underground
2000  You Can’t Keep A Good Snake Down
2001  A Few Drunkards at the Mars Bar
2001  Magic Ferry
2001  The First Round Dance
2003  Drops on Marble
2003  MUZHCHINI
2005  Another Place and Yet the Same
2005  Magic Ferry-2
2005  Untitled #1
2005  Untitled №1
2006  Gnawed Vanity
2007  Objects in Mirror are Closer Than They Appear
2008  Along with the Phoenix
2009  2 Home-Movies
2009  Give Me Back the Propeller
2010  40
2011  Hunger
2013  Fetish Frames #1
2014  A Feast in Time of Plague
2014  Blessing
2014  The Elusive Horizon
2017  Laika. The Last Flight
2018  An Address to Jeanne
2018  Debris of Dreams
2018  Only Two Words
2020  Countryless and Queer
2020  Landscapes of Nosferatu
2020  Matters of Daring
2020  The City Bridges Are Open Again
2020  Tomorrow I Failed Completely
2020  Who Said There Will Be a Walk in Time
2022  A text floating on a river
2022  Her* Hands and His Forms
2023  “What for?”

Director of Photography:
1999  New York Underground
2000  You Can’t Keep A Good Snake Down
2001  A Few Drunkards at the Mars Bar
2001  Magic Ferry
2001  The First Round Dance
2003  Drops on Marble
2003  MUZHCHINI
2005  Another Place and Yet the Same
2005  Magic Ferry-2
2005  Untitled #1
2005  Untitled №1
2006  Gnawed Vanity
2007  Objects in Mirror are Closer Than They Appear
2008  Along with the Phoenix
2009  2 Home-Movies
2009  Give Me Back the Propeller
2010  40
2011  Hunger
2013  Fetish Frames #1
2014  A Feast in Time of Plague
2014  Blessing
2014  The Elusive Horizon
2017  Laika. The Last Flight
2018  An Address to Jeanne
2018  Debris of Dreams
2018  Only Two Words
2020  Countryless and Queer
2020  Landscapes of Nosferatu
2020  Matters of Daring
2020  The City Bridges Are Open Again
2020  Tomorrow I Failed Completely
2020  Who Said There Will Be a Walk in Time
2022  A text floating on a river
2022  Her* Hands and His Forms
2023  “What for?”

Editor:
1999  New York Underground
2000  You Can’t Keep A Good Snake Down
2001  A Few Drunkards at the Mars Bar
2001  Magic Ferry
2001  The First Round Dance
2003  Drops on Marble
2003  MUZHCHINI
2005  Another Place and Yet the Same
2005  Magic Ferry-2
2005  Untitled #1
2005  Untitled №1
2006  Gnawed Vanity
2007  Objects in Mirror are Closer Than They Appear
2008  Along with the Phoenix
2009  2 Home-Movies
2009  Give Me Back the Propeller
2010  40
2011  Hunger
2013  Fetish Frames #1
2014  A Feast in Time of Plague
2014  Blessing
2014  The Elusive Horizon
2017  Laika. The Last Flight
2018  An Address to Jeanne
2018  Debris of Dreams
2018  Only Two Words
2020  Countryless and Queer
2020  Landscapes of Nosferatu
2020  Matters of Daring
2020  The City Bridges Are Open Again
2020  Tomorrow I Failed Completely
2020  Who Said There Will Be a Walk in Time
2022  A text floating on a river
2022  Her* Hands and His Forms
2023  “What for?”

Writer:
1999  New York Underground
2000  You Can’t Keep A Good Snake Down
2001  A Few Drunkards at the Mars Bar
2001  Magic Ferry
2001  The First Round Dance
2003  Drops on Marble
2003  MUZHCHINI
2005  Another Place and Yet the Same
2005  Magic Ferry-2
2005  Untitled #1
2005  Untitled №1
2006  Gnawed Vanity
2007  Objects in Mirror are Closer Than They Appear
2008  Along with the Phoenix
2009  2 Home-Movies
2009  Give Me Back the Propeller
2010  40
2011  Hunger
2013  Fetish Frames #1
2014  A Feast in Time of Plague
2014  Blessing
2014  The Elusive Horizon
2017  Laika. The Last Flight
2018  An Address to Jeanne
2018  Debris of Dreams
2018  Only Two Words
2020  Countryless and Queer
2020  Landscapes of Nosferatu
2020  Matters of Daring
2020  The City Bridges Are Open Again
2020  Tomorrow I Failed Completely
2020  Who Said There Will Be a Walk in Time
2022  A text floating on a river
2022  Her* Hands and His Forms
2023  “What for?”

About the Movie Section

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.