Pierre-Louis Calvet

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Alias:
Pierre Calvet

Additional information:

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Sound:
1940  There's No Tomorrow
1944  First in Line
1945  My First Love
1946  The Uncatchable Mr. Frederic
1948  Nine Boys, One Heart
1949  Such a Pretty Little Beach
1950  La Ronde
1950  Orpheus
1951  Utopia
1955  Frou-Frou
1956  ...And God Created Woman
1958  Tamango
1958  The Lovers of Montparnasse
1961  Who Are You, Mr. Sorge?
1962  War of the Buttons
1963  Sweet and Sour
1963  The Day and the Hour
1967  Bitter Fruit

Sound Engineer:
1940  There's No Tomorrow
1944  First in Line
1945  My First Love
1946  The Uncatchable Mr. Frederic
1948  Nine Boys, One Heart
1949  Such a Pretty Little Beach
1950  La Ronde
1950  Orpheus
1951  Utopia
1955  Frou-Frou
1956  ...And God Created Woman
1956  Don Juan
1958  Tamango
1958  The Lovers of Montparnasse
1960  Le Trou
1961  Who Are You, Mr. Sorge?
1962  War of the Buttons
1963  Sweet and Sour
1963  The Day and the Hour
1965  How to Keep the Red Lamp Burning
1967  Bitter Fruit
1967  Woman Times Seven

Sound Mixer:
1940  There's No Tomorrow
1944  First in Line
1945  My First Love
1946  The Uncatchable Mr. Frederic
1948  Nine Boys, One Heart
1949  Such a Pretty Little Beach
1950  La Ronde
1950  Orpheus
1951  Utopia
1955  Frou-Frou
1956  ...And God Created Woman
1956  Don Juan
1958  Tamango
1958  The Lovers of Montparnasse
1960  Le Trou
1961  Who Are You, Mr. Sorge?
1962  War of the Buttons
1963  Sweet and Sour
1963  The Day and the Hour
1965  How to Keep the Red Lamp Burning
1967  Bitter Fruit
1967  Woman Times Seven
1973  I Will Walk Like a Crazy Horse

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.