A work in constant progress (and occasional regress).
Alias:
Kseniya Sereda
Ксения Середа
Born:
August 24, 1994
Camera Operator:
2020 Very Feminine Stories
Cinematography:
2016 Gogol Online: Stalin's Funeral
2020 Very Feminine Stories
Director of Photography:
2013 House without Guardians
2014 Little Bird
2014 Without Skin
2015 #WhoCanBeHappyAndFreeInRussia?
2015 Kill Gottlieb
2016 Drawing Class For Adults
2016 Etude
2016 Gogol Online: Stalin's Funeral
2016 Petersburg: Selfie
2016 Sisters
2017 House on Clauzewert's Head
2017 Leo & Hurricane
2017 The Exhibition
2018 Acid
2018 Russian Shorts. Vol. 1
2018 The Chosen Ones
2019 Beanpole
2020 Good As New
2020 Very Feminine Stories
2021 At Close Range
2021 Chernobyl: Abyss
2021 I'm Not Afraid
2022 Mama, I'm Home
2024 Rob Peace
Camera Operator:
2018 Call DiCaprio!
Director of Photography:
2018 Call DiCaprio!
2023 The Crowded Room
2023 The Last of Us
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.