Dick Haymes (1918-1980)

Alias:
Richard Benjamin Haymes

Birthplace:
Buenos Aires, Argentina

Born:
September 13, 1918

Died:
March 28, 1980

Arguably one of the best singers of the twentieth century, Dick Haymes was born in Argentina to a Scots/Irish father and Irish mother, but brought to the U.S. as an infant. Dick inherited his vocal gift from his mother who made ends meet during the Depression as a singer and voice teacher. A music gig in 1931 caught the eye of a local band leader and soon Dick was moving up, but it was slow-going. In 1939, while Dick was trying to pitch his songwriting talents to band leader Harry James, he ended up his featured vocalist, instead. During the war years Dick hooked up with the Benny Goodman and Tommy Dorsey orchestras before deciding to go solo. Nabbing his own radio program in addition to a Decca recording contract, Twentieth Century Fox soon expressed interest in his musical talents. Among his many film leads were State Fair (1945) opposite Jeanne Crain and Vivian Blaine, Diamond Horseshoe (1945) and The Shocking Miss Pilgrim (1947) both paired with Betty Grable, One Touch of Venus (1948) with Ava Gardner, and All Ashore (1953), a second string version of On the Town (1949), with Mickey Rooney and Ray McDonald as his shore-leave buddies. For such a pleasant and unassuming man, Dick's personal life certainly was a shambles aggravated by alcoholism and financial debt. Five marriages came and went (including actresses Joanne Dru, Nora Eddington, Rita Hayworth, and Fran Jeffries) before his sixth one finally stuck. By the 1960s, his life was all but ruined. He managed to travel to Europe and picked up the remnants of his career. His reputation had not tarnished there, and he enjoyed some renewed popularity; he never regained, however, the foothold in the business that he once had. Dick died of lung cancer in 1980. Though not as well remembered as other crooners of his time (Frank Sinatra, Tony Martin, Vic Damone), and not a particularly charismatic performer on film, this rich baritone's legacy IS his music. Some of Dick's more popular recordings include "The More I See You," "How Blue the Night," "For You, For Me, Forever More," "Speak Low," and "Another Night Like This."

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.