A work in constant progress (and occasional regress).
Birthplace:
Phnom Penh, Cambodia
Kavich NEANG (1987, Cambodia) studied Music and Dance before graduating in Design in 2013. In 2010, he directed his first short film, A Scale Boy, as part of a documentary film workshop led by filmmaker Rithy Panh, who also produced his 2013 mid-length documentary film Where I Go. In 2014, he co-founded the independent production company Anti-Archive. His third short fiction, New Land Broken Road (2018), is part of a Southeast Asian omnibus which premiered in Singapore. He directed the documentary Last Night I Saw You Smiling (2019) and White Building (2021), which premiered at Venice Film Festival 2021.
Associate Producer:
2015 Dream Land
2016 Turn Left Turn Right
2021 Sunrise in My Mind
2021 White Building
2023 Doi Boy
Director:
2010 A Scale Boy
2014 Where I Go
2015 Dream Land
2015 Fragment
2015 Three Wheels
2016 Turn Left Turn Right
2018 New Land Broken Road
2019 Last Night I Saw You Smiling
2021 Sunrise in My Mind
2021 White Building
2023 Doi Boy
Director of Photography:
2010 A Scale Boy
2014 Where I Go
2015 Dream Land
2015 Fragment
2015 Three Wheels
2016 Turn Left Turn Right
2018 New Land Broken Road
2019 Last Night I Saw You Smiling
2021 Sunrise in My Mind
2021 White Building
2023 Doi Boy
Editor:
2010 A Scale Boy
2014 Where I Go
2015 Dream Land
2015 Fragment
2015 Three Wheels
2016 Turn Left Turn Right
2018 New Land Broken Road
2019 California Dreaming
2019 Last Night I Saw You Smiling
2021 Sunrise in My Mind
2021 White Building
2022 Further and Further Away
2023 Doi Boy
Writer:
2010 A Scale Boy
2014 Where I Go
2015 Dream Land
2015 Fragment
2015 Three Wheels
2016 Turn Left Turn Right
2018 New Land Broken Road
2019 California Dreaming
2019 Last Night I Saw You Smiling
2021 Sunrise in My Mind
2021 White Building
2022 Further and Further Away
2023 Doi Boy
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.