A work in constant progress (and occasional regress).
Alias:
Даниил Зинченко
Birthplace:
Tyumen, USSR (Russia)
Born in 1984 in Tyumen. He debuted in cinematography as an actor in Yevgeny Yufit's films «The Wooden Room» (1995) and «Silver Heads» (1999). Later he graduated from the Rodchenko Art School, Moscow. Zinchenko is a director of several feature films, including: «50» (together with Tikhon Pendyurin; 2018); «Russia as A Dream» (together with Andrey Silvestrov; 2016); and «Elixir» (2015). Participant of 16th Venice Architectural Biennale (Russian Pavilion; 2018); goEast Festival, Wiesbaden (2017); 66th Berlin International Film Festival (2016); and Moscow International Film Festival (2012, 2014). In 2019 he received Spirit of Fire Film Festival Award in the category Short Film for the film «Manifest» (together with Tikhon Pendyurin; 2019).
Assistant Director:
2016 Krisis
Camera Operator:
2012 Mad Mimes
2016 Krisis
Director:
2009 Mausoleum
2010 Flag
2011 Diary of a Philosopher Dog
2012 Mad Mimes
2016 Elixir
2016 Krisis
2017 Russia as a dream
2018 50
2018 Tinnitus
2019 Manifesto
2021 Why Dreams
Editor:
2009 Mausoleum
2010 Flag
2011 Diary of a Philosopher Dog
2012 Mad Mimes
2016 Elixir
2016 Krisis
2017 Russia as a dream
2018 50
2018 Shining Will Fall Down
2018 Tinnitus
2019 Manifesto
2021 Why Dreams
Music:
2009 Mausoleum
2010 Flag
2011 Diary of a Philosopher Dog
2012 Mad Mimes
2013 America
2016 Elixir
2016 Krisis
2017 Russia as a dream
2018 50
2018 Shining Will Fall Down
2018 Tinnitus
2019 Manifesto
2021 Why Dreams
Screenplay:
2009 Mausoleum
2010 Flag
2011 Diary of a Philosopher Dog
2012 Mad Mimes
2013 America
2016 Elixir
2016 Krisis
2017 Russia as a dream
2018 50
2018 Shining Will Fall Down
2018 Tinnitus
2019 Manifesto
2021 Why Dreams
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.