Sabrina Ratté

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Sabrina Ratté lives and work between Montreal and Paris. After a BFA and MFA in Film Production at Concordia University in Montreal, she focused on video as a medium. Her interest in early video art led her to work with analog technologies such as video synthesizers and video feedback. Later on, she integrated 3D animation to her process, which allowed for more complexe imageries while creating a timeless aesthetic. From utopian architecture to painterly textures, she investigates the ambiguous line between the virtual and the physical realm. Her work includes single-channel videos, installations, sculptures, live performances and prints.

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Animation Director:
2023  V F C

Director:
2010  L'Entre-Deux
2010  La Lune
2010  Mirages
2011  Activated Memory I
2011  Activated Memory II
2011  Age Maze
2011  Bleu Nuit
2011  INNERGAZE / CHANGE IT UP
2011  Station Balnéaire
2011  Transit
2012  Aurae
2012  Auroratone
2012  Data Daze
2012  Experiment I
2012  Experiment II
2012  Experiment III
2012  Experiment IV
2012  Experiment V
2013  Jolly Ghosts
2013  Longueurs d’ondes
2013  Spectral Net
2013  The Land Behind
2014  Afterimage Selves
2014  Habitat
2014  Landfall
2014  Littoral Zones
2014  Portals
2014  Visites Possibles
2015  Escales
2015  SKY LOBBY I
2016  Aires
2016  Built-in Views
2016  Fakeaway Haptics
2016  Immeuble-Villas I
2016  Immeuble-Villas II
2016  Immeuble-Villas III
2016  Immeuble-Villas IV
2016  Immeuble-Villas V
2016  Immeuble-Villas VI
2016  Plaza Concrète
2016  WATERFALL
2017  Biomes I
2017  Biomes II
2017  Biomes III
2017  Biomes IV
2017  Domestic Landscape: Eclipse
2017  Machine for Living - Créteil
2017  Radiances I
2017  Radiances II
2017  Radiances III
2017  Radiances IV
2017  Radiances V
2018  Machine for Living - La Défense
2018  Machine for Living - La Grande Borne
2018  Machine for Living - Montigny-le-Bretonneux
2018  Machine for Living - Montigny-le-Bretonneux
2018  Machine for Living - Tours Aillaud
2018  Radiances VI
2018  Scape Addicts
2018  Undream
2019  Aliquid
2019  Inscape
2020  FLORALIA I
2020  FLORALIA II
2020  FLORALIA III
2020  FLORIALA IV
2020  House of Skin
2020  Monade I
2020  Monade II
2020  Monade III
2020  Monade IV
2021  Jump Cut II
2022  Contre-Espace
2022  Objets-monde I
2022  Objets-monde II
2023  V F C
2024  Plane of Incidence I
2024  Plane of Incidence II
????  Inflorescences I
????  Inflorescences II
????  Inflorescences III
????  Inflorescences IV

Editor:
2010  L'Entre-Deux
2010  La Lune
2010  Mirages
2011  Activated Memory I
2011  Activated Memory II
2011  Age Maze
2011  Bleu Nuit
2011  INNERGAZE / CHANGE IT UP
2011  Station Balnéaire
2011  Transit
2012  Aurae
2012  Auroratone
2012  Data Daze
2012  Experiment I
2012  Experiment II
2012  Experiment III
2012  Experiment IV
2012  Experiment V
2013  Jolly Ghosts
2013  Longueurs d’ondes
2013  Spectral Net
2013  The Land Behind
2014  Afterimage Selves
2014  Habitat
2014  Landfall
2014  Littoral Zones
2014  Portals
2014  Visites Possibles
2015  Escales
2015  SKY LOBBY I
2016  Aires
2016  Built-in Views
2016  Fakeaway Haptics
2016  Immeuble-Villas I
2016  Immeuble-Villas II
2016  Immeuble-Villas III
2016  Immeuble-Villas IV
2016  Immeuble-Villas V
2016  Immeuble-Villas VI
2016  Plaza Concrète
2016  WATERFALL
2017  Biomes I
2017  Biomes II
2017  Biomes III
2017  Biomes IV
2017  Domestic Landscape: Eclipse
2017  Machine for Living - Créteil
2017  Radiances I
2017  Radiances II
2017  Radiances III
2017  Radiances IV
2017  Radiances V
2018  Machine for Living - La Défense
2018  Machine for Living - La Grande Borne
2018  Machine for Living - Montigny-le-Bretonneux
2018  Machine for Living - Montigny-le-Bretonneux
2018  Machine for Living - Tours Aillaud
2018  Radiances VI
2018  Scape Addicts
2018  Undream
2019  Aliquid
2019  Inscape
2020  FLORALIA I
2020  FLORALIA II
2020  FLORALIA III
2020  FLORIALA IV
2020  House of Skin
2020  Monade I
2020  Monade II
2020  Monade III
2020  Monade IV
2021  Jump Cut II
2022  Contre-Espace
2022  Objets-monde I
2022  Objets-monde II
2023  V F C
2024  Plane of Incidence I
2024  Plane of Incidence II
????  Inflorescences I
????  Inflorescences II
????  Inflorescences III
????  Inflorescences IV

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.