Emiliano Ruschel (b. 1986)

Birthplace:
Lagoa Vermelha, RS - Brasil

Born:
July 28, 1986

Emiliano Ruschel is an international actor, he speaks Portuguese, English and Spanish. Emiliano won the Best Lead Actor Award at the LABRFF, Los Angeles Brazilian Film Festival in 2014 for the movie “Forever Nevermore”. Emiliano began his work in the visual arts with only 5 years old and never stopes. Emiliano attended college and studied acting with excellent professionals, such as: Fátima Toledo (coach from “City of God), Margie Haber (coach of Brad Pitt, Hale Berry) Bernard Hiller, Robert Castle, and Jon Korkes, Ana Carter and attended the Berg Studios in Los Angeles.  He did more than 15 theater plays, and more than 10 featured films and in multiple Tv Series in Brazil such “Lovely Psycho”, “More vs. Slum” were displayed in the Channel Multishow, produced by Carlos Diegues a Cannes nominated director. Worked in the movie VIP's, directed by ToniKo Melo, with the actor Wagner Moura (Narcos) produced by Fernando Meirelles (City of God) Oscar nominee.  His latest film is Maverick: Manhunt Brazil, where Ruschel acted and directed the movie. The film Won four awards including the Spot Light Award in the Los  Angeles Brazilian Film Festival and the Best Independent Film at the International Film Festival in Rio de Janeiro - FICA. And was part of the Official Selection of the Mostra de Cinema Imperial, 2017. Now the movie can be watched at Telecine Action, Canal Brasil, and in VOD on Netnow, iTunes and Google Play.

Additional information:

The Search Form


Director:
2016  Maverick: Manhunt Brazil

Editor:
2016  Maverick: Manhunt Brazil
2021  Jasmim

Producer:
2010  Noite de Cristais
2016  Maverick: Manhunt Brazil
2021  Jasmim

Writer:
2010  Noite de Cristais
2016  Maverick: Manhunt Brazil
2021  Jasmim

Director:
2015  Alesia: Ground Zero

Executive Producer:
2015  Alesia: Ground Zero

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.