Manuel Rosenthal (1904-2003)

Birthplace:
Paris, France

Born:
June 18, 1904

Died:
June 5, 2003

Manuel Rosenthal (18 June 1904 – 5 June 2003) was a French composer and conductor who held leading positions with musical organizations in France and America. He was friends with many contemporary composers, and despite a considerable list of compositions is mostly remembered for having orchestrated the popular ballet score Gaîté Parisienne from piano scores of Offenbach operettas, and for his recordings as a conductor.  Rosenthal was born in Paris to Anna Devorsosky, of Russian-Jewish descent, and a French father he never met. His surname was taken from his stepfather, Bernard Rosenthal.  He started his musical studies on violin at age 6, which he played in cafés and cinemas after his stepfather's death in 1918 to support his mother and sisters. In 1920, he entered the Conservatoire in Paris but eventually left it after failing to win an expected first prize. In addition to continuing his violin studies with Alterman and Jules Boucherit and playing in theatre and cinema bands, he also studied composition. Around this time he met Léo Sir, inventor of string instruments known as the dixtuor, and was persuaded to play the sursoprano (a 4th higher than the violin) and find composers to write for this new medium. Through this Rosenthal met eminent young Parisian composers of whom Darius Milhaud and Arthur Honegger were the most distinguished, and also contributed his own music to a recital in Paris in October 1921.  His Sonatine for two violins and piano, composed for a sight-reading examination, was acclaimed after its performance at the 99th concert of the Société musicale indépendante in Paris at the end of October 1924, attended by both Nadia Boulanger and Alexis Roland-Manuel. After a stint in the military he became Maurice Ravel's third and final student, seeing him once or twice a month while also having lessons in counterpoint and fugue from Jean Huré. while continuing to play violin in the Moulin Rouge and Casino de Paris café orchestras. Ravel's encouragement ultimately led to his winning the Prix Blumenthal (worth 20,000 francs) in 1928. Ravel lobbied the directors of the Opéra-Comique to get Rosenthal's one-act opera Rayon des soieries performed there in June 1930. He also arranged for Rosenthal's conducting debut, at a concert composed of Rosenthal's own music in 1928.  His conducting career began in earnest in 1934, when he became percussionist and assistant conductor of the Orchestre National de France, to Désiré-Émile Inghelbrecht. In 1936, Georges Mandel invited him to conduct the Orchestre de Radio PTT. As his fame as a conductor grew, he was attacked in Action Française in 1937 by Lucien Rebatet, who demanded his expulsion from his radio conductorship. In the same year Serge Koussevitzky, in Paris during the Exposition, invited Rosenthal to become assistant conductor of the Boston Symphony under him – an offer reiterated after a Salle Pleyel concert on the eve of war in 1939. After Ravel's death in 1937, and following the success of Gaîté Parisienne, he became a close colleague of great Russian émigré composer Igor Stravinsky. ...  Source: Article "Manuel Rosenthal" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.