A work in constant progress (and occasional regress).
Birthplace:
Saskatoon, Saskatchewan, Canada
Pamela Warden knew at an early age that she wanted to be a make-up artist. Pamela started her makeup career at the age 15. Selling home beauty products. Shortly after Pamela was recruited by Matrix Essentials; Pamela would work extensively all over North America doing runway make up and as a educator for 10 years. At age 24 Pamela opened her own business, a salon and spa in Saskatoon for 8 years and played a key role in the inception of Women Entrepreneurs of Sask. Wanting a career in theatre, film and television, Pamela sold her business left Matrix to pursue it. She went to cosmetology school, took courses to learn airbrush techniques, gore and fx. Residing now in Montreal QB, Pamela works solely as a make-up artist. She works as a celebrity artist & travels exclusively with Nicolas Cage. Her works include in Montreal APTN’s Mohawk Girls, Tableau D’hôte Hosanna, Never Tear Us Apart, CTV news, and more…
Key Hair Stylist:
2021 Beans
Key Makeup Artist:
2017 The Humanity Bureau
2021 Beans
Makeup & Hair:
2017 The Humanity Bureau
2018 Mandy
2019 Color Out of Space
2019 Primal
2019 Running with the Devil
2020 Jiu Jitsu
2021 Beans
2021 Pig
2024 Longlegs
Makeup Artist:
2012 Rufus
2013 Singularity Principle
2017 The Humanity Bureau
2018 Mandy
2019 A Score to Settle
2019 Color Out of Space
2019 Primal
2019 Running with the Devil
2020 Jiu Jitsu
2021 Beans
2021 Pig
2021 Willy's Wonderland
2024 Coreys
2024 Longlegs
Makeup Department Head:
2012 Rufus
2013 Singularity Principle
2017 Brad's Status
2017 The Humanity Bureau
2018 Mandy
2019 A Score to Settle
2019 Color Out of Space
2019 Primal
2019 Running with the Devil
2020 Jiu Jitsu
2021 Beans
2021 Pig
2021 Willy's Wonderland
2024 Coreys
2024 Longlegs
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.