A work in constant progress (and occasional regress).
Born:
January 1, 1984
Rodrigo Carneiro is an editor and producer, known for A Rosa Azul de Novalis (2018), Vil, Má (2020) and Strange Blood (2015).
Art Direction:
2023 Real Man
Assistant Director:
2012 Sobre Viver
2023 Real Man
Director:
2012 Sobre Viver
2015 Copyleft
2018 The Blue Flower of Novalis
2023 Real Man
Editor:
2006 Made in Ucrânia
2012 Film for Blind Poet
2012 Sobre Viver
2013 Cebú
2014 New Dubai
2015 Copyleft
2016 Kicks
2016 The Road of Milk
2017 Bitch
2017 Disaster Film
2017 Estás Vendo Coisas
2017 MOEDA GOSTOSO
2017 Os Dois Lados do Lixo
2018 Alfredo Doesn't Like Goodbyes
2018 I Remember the Crows
2018 The Blue Flower of Novalis
2018 The Bony Lady
2018 Tingo Lingo
2018 desecrAcTION
2022 Three Tidy Tigers Tied a Tie Tighter
2023 Real Man
Executive Producer:
2006 Made in Ucrânia
2012 Film for Blind Poet
2012 Sobre Viver
2013 Cebú
2014 New Dubai
2015 Copyleft
2016 Kicks
2016 The Road of Milk
2017 Bitch
2017 Disaster Film
2017 Estás Vendo Coisas
2017 MOEDA GOSTOSO
2017 Os Dois Lados do Lixo
2018 Alfredo Doesn't Like Goodbyes
2018 I Remember the Crows
2018 The Blue Flower of Novalis
2018 The Bony Lady
2018 Tingo Lingo
2018 desecrAcTION
2022 Three Tidy Tigers Tied a Tie Tighter
2023 Real Man
Producer:
2006 Made in Ucrânia
2012 Film for Blind Poet
2012 Sobre Viver
2013 Cebú
2014 New Dubai
2015 Copyleft
2016 Kicks
2016 The Road of Milk
2017 Bitch
2017 Disaster Film
2017 Estás Vendo Coisas
2017 MOEDA GOSTOSO
2017 Os Dois Lados do Lixo
2018 Alfredo Doesn't Like Goodbyes
2018 I Remember the Crows
2018 The Blue Flower of Novalis
2018 The Bony Lady
2018 Tingo Lingo
2018 desecrAcTION
2020 Divinely Evil
2021 Unlearning to Sleep
2022 Three Tidy Tigers Tied a Tie Tighter
2023 Real Man
2024 Cucumber/Knife
Screenplay:
2006 Made in Ucrânia
2012 Film for Blind Poet
2012 Sobre Viver
2013 Cebú
2014 New Dubai
2015 Copyleft
2016 Kicks
2016 The Road of Milk
2017 Bitch
2017 Disaster Film
2017 Estás Vendo Coisas
2017 MOEDA GOSTOSO
2017 Os Dois Lados do Lixo
2018 Alfredo Doesn't Like Goodbyes
2018 I Remember the Crows
2018 The Blue Flower of Novalis
2018 The Bony Lady
2018 Tingo Lingo
2018 desecrAcTION
2020 Divinely Evil
2021 Unlearning to Sleep
2022 Three Tidy Tigers Tied a Tie Tighter
2023 Real Man
2024 Cucumber/Knife
Sound:
2006 Made in Ucrânia
2012 Film for Blind Poet
2012 Sobre Viver
2013 Cebú
2014 New Dubai
2015 Copyleft
2016 Kicks
2016 The Road of Milk
2017 Bitch
2017 Disaster Film
2017 Estás Vendo Coisas
2017 MOEDA GOSTOSO
2017 Os Dois Lados do Lixo
2018 Alfredo Doesn't Like Goodbyes
2018 I Remember the Crows
2018 The Blue Flower of Novalis
2018 The Bony Lady
2018 Tingo Lingo
2018 desecrAcTION
2020 Divinely Evil
2021 Unlearning to Sleep
2022 Three Tidy Tigers Tied a Tie Tighter
2023 Real Man
2024 Cucumber/Knife
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.