Élisabeth Badinter (b. 1945)

Alias:
Elisabeth Bleustein-Blanchet

Birthplace:
Boulogne-Billancourt, Seine [now Hauts-de-Seine], France

Born:
March 5, 1945

Élisabeth Badinter (née Bleustein-Blanchet; 5 March 1944) is a French philosopher, author and historian.  She is best known for her philosophical treatises on feminism and women's role in society. She is an advocate of liberal feminism and women migrant workers' rights in France. Badinter is described as having a commitment to Enlightenment rationalism and universalism. She advocates for a "moderate feminism". A 2010 Marianne news magazine poll named her France's "most influential intellectual", primarily on the basis of her books on women's rights and motherhood.  Badinter is the largest shareholder of Publicis Groupe, a multinational advertising and public relations company, and the chairwoman of its supervisory board. She received these shares in an inheritance from her father, Marcel Bleustein-Blanchet, who founded the company. According to Forbes, she is one of the wealthiest French citizens with a fortune of around US$1.8 billion in 2012.  Badinter was born in Boulogne-Billancourt to Sophie Vaillant and Marcel Bleustein-Blanchet, founder of Publicis. Sophie Vaillant was the granddaughter of Édouard Vaillant, a French political leader and social activist. Elizabeth’s mother was raised as a Roman Catholic in a middle class upbringing, and later converted to Judaism following her marriage. She raised Élisabeth in the Jewish faith.  Elisabeth and her two sisters were raised by parents who believed in the equality of the sexes. She received her secondary education from L'école alsacienne, a private school in Paris. During adolescence, Badinter read Simone de Beauvoir's the Second Sex, which profoundly influenced her views, inspiring her pursuit of a doctorate in philosophy at Sorbonne University. She is a specialist in French history of the Age of Enlightenment.  After her studies, Badinter taught at the École Polytechnique. Her first book titled, L'Amour en plus, was published in 1980 and raises the question of whether maternal love is an exclusively natural instinct or a tendency reinforced in the cultural context, in which the behaviour of motherly affection is expected.  In her critical work, L'un est l'autre, published in 1987, Badinter reflects upon the complementarities of masculine and feminine traits in gendered identities and the conflicts that arise when these complementarities are subjected to oppression. Badinter concludes that a new era of gendered resemblances will lead to a change in gender identities and a revolution of moral values.  Her 2003 treatise, La fausse route, addresses misandry and victimisation of women by French contemporary feminists. "The systematic denial of women's power and violence, the constant portrayal of women as oppressed and therefore innocent is deepening the crevasses of a divided humanity: the victims of masculine oppression on one side and the almighty executioners on the other." She criticizes essentialists within the feminist movement, arguing that, "Man is not the enemy." ...  Source: Article "Élisabeth Badinter" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Additional information:

The Search Form


Writer:
2007  Divine Émilie

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.