A work in constant progress (and occasional regress).
Birthplace:
Arcachon, Gironde, France
Born:
January 1, 1952
Sylvie Caster (born 1952 in Arcachon , Gironde) is a French journalist and writer. After studying journalism and political science in Bordeaux, Sylvie Caster published numerous columns, notably in Charlie Hebdo from 1976 to 1981 at the time of Cavanna, Wolinski and Reiser, then in Le Canard enchaîné. She entered Le Canard in 1983 where she hosted a column entitled "Calamity Caster", where she took an energetic position in a whole series of social debates. She was the first woman writer of Le Canard enchaîné since 1920. The arrival of this strong personality did not go unnoticed to the newspaper which, by tradition, is accompanied in the texts and also the drawings, with a smiling but real misogyny . She received the Mumm Prize in 1994. Since its creation in 2008, she regularly collaborates with the magazine XXI, in which she draws a unique portrait of France today. She is the author, among others, of five novels including Les Chênes verts and Dormir. Source: Article "Sylvie Caster" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Editor:
2006 Infrarouge
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.