A work in constant progress (and occasional regress).
Birthplace:
Australia
Sasha Dylan Bell is an Australian film unit stills photographer and Emmy Award-nominated film and television editor. He is known for his work on David Makes Man (2019), The Rendezvous (2016), The Assassin's Code (2018), Face to Face (2011), That Sugar Film (2014), The Dream Children (2015) and Blackmail (2017). He was named one of "Five Editors To Watch" by Moviemaker Magazine and featured in the magazine Shoutout LA for his work as a unit stills photographer. He lives in Los Angeles, California.
Additional Editor:
2014 Bound By Blue
2014 That Sugar Film
Assistant Director:
2011 Keeper
2014 Bound By Blue
2014 That Sugar Film
Editor:
2011 Face to Face
2011 Keeper
2014 Bound By Blue
2014 Emo (The Musical)
2014 That Sugar Film
2015 The Dream Children
2016 The Rendezvous
2017 Blackmail
Editorial Consultant:
2011 Face to Face
2011 Keeper
2014 Bound By Blue
2014 Emo (The Musical)
2014 That Sugar Film
2015 The Dream Children
2016 The Rendezvous
2017 Blackmail
2018 A Boy Called Sailboat
Still Photographer:
2011 Face to Face
2011 Keeper
2014 Bound By Blue
2014 Emo (The Musical)
2014 That Sugar Film
2015 The Dream Children
2016 The Rendezvous
2017 Blackmail
2018 A Boy Called Sailboat
2022 Nite Flirt
2023 A Christmas Frequency
2023 Dante's Hotel
2023 Maya
2023 Megalodon: The Frenzy
2023 Night of the Missing
2023 The Exorcists
2023 Top Gunner: America vs. Russia
2024 Double Exposure
2024 Dying for Fame
2024 Monster Mash
2024 Prepare to Die
???? If It Bleeds
???? Mob Cops
???? Stiletto
Still Photographer:
2000 WOW - Women of Wrestling
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.