Horst Donth

Gallery Unavailable

Additional information:

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Additional Camera:
1974  I Was, I Am, I Will Be

Camera Operator:
1974  I Was, I Am, I Will Be

Cinematography:
1963  Brüder und Schwestern
1963  Globke heute
1965  Kommando 52
1966  Grüße von Ost nach West
1966  P.S. to The Laughing Man
1966  The Laughing Man
1967  Liebesbriefe
1969  The President in Exile
1971  100
1971  Bye-Bye Wheelus
1972  Remington Cal. 12
1974  I Was, I Am, I Will Be
1974  The War of the Mummies
1975  Meier's Legacy
1975  The White Coup
1976  Devil's Island
1976  Entrance Free
1976  One Minute of Darkness Does Not Blind Us
1983  Der Dschungelkrieg
1983  For Example Regensburg
1983  Im Zeichen der Spinne
1984  The Comical Game
1985  Amok
1985  Hector Cuevas
1986  Snapshots From Chile
1987  Der springende Punkt
1988  Die Lüge und der Tod
1988  Kamerad Krüger
1989  The Man Who Met the Trains
1990  Es kommt alles aus mir selbst
1990  Großer Bahnhof

Director of Photography:
1963  Brüder und Schwestern
1963  Globke heute
1965  Kommando 52
1966  Grüße von Ost nach West
1966  P.S. to The Laughing Man
1966  The Laughing Man
1967  400 cm³
1967  Liebesbriefe
1969  The President in Exile
1971  100
1971  Bye-Bye Wheelus
1972  Remington Cal. 12
1974  I Was, I Am, I Will Be
1974  The War of the Mummies
1975  Meier's Legacy
1975  The White Coup
1976  Devil's Island
1976  Entrance Free
1976  One Minute of Darkness Does Not Blind Us
1983  Der Dschungelkrieg
1983  For Example Regensburg
1983  Im Zeichen der Spinne
1984  The Comical Game
1985  Amok
1985  Hector Cuevas
1986  Snapshots From Chile
1987  Der springende Punkt
1988  Die Lüge und der Tod
1988  Kamerad Krüger
1989  The Man Who Met the Trains
1990  Es kommt alles aus mir selbst
1990  Großer Bahnhof

Cinematography:
1986  The Generals

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.