A work in constant progress (and occasional regress).
Alias:
Jean Le Masson
Yan Le Masson
Yann Lemasson
Birthplace:
Brest, Finistère, France
Born:
June 27, 1930
Died:
January 20, 2012
Assistant Camera:
1958 Un américain
Assistant Director:
1958 Un américain
1969 The Panafrican Festival in Algiers
Camera Operator:
1958 Un américain
1966 Grand Prix
1969 The Panafrican Festival in Algiers
1981 Réserve
Cinematography:
1958 Un américain
1966 Grand Prix
1968 Imagine Robinson Crusoe
1969 The Panafrican Festival in Algiers
1973 Kashima Paradise
1974 The Loneliness of the Long Distance Singer
1974 The Madwoman of Toujane
1981 Réserve
Director:
1958 Un américain
1961 J'ai Huit Ans
1966 Grand Prix
1968 Imagine Robinson Crusoe
1969 The Panafrican Festival in Algiers
1973 Kashima Paradise
1974 The Loneliness of the Long Distance Singer
1974 The Madwoman of Toujane
1980 Look, She Has Her Eyes Wide Open
1981 Réserve
???? Sucre amer
Director of Photography:
1958 Un américain
1961 J'ai Huit Ans
1966 Grand Prix
1966 Rosalie
1968 Imagine Robinson Crusoe
1969 Saravah
1969 The Panafrican Festival in Algiers
1973 Kashima Paradise
1974 Black Love
1974 The Loneliness of the Long Distance Singer
1974 The Madwoman of Toujane
1976 La Cecilia
1978 Voyage en Capital
1980 Look, She Has Her Eyes Wide Open
1981 Réserve
1982 The French
???? Sucre amer
Writer:
1958 Un américain
1961 J'ai Huit Ans
1966 Grand Prix
1966 Rosalie
1968 Imagine Robinson Crusoe
1969 Saravah
1969 The Panafrican Festival in Algiers
1973 Kashima Paradise
1974 Black Love
1974 The Loneliness of the Long Distance Singer
1974 The Madwoman of Toujane
1976 La Cecilia
1978 Voyage en Capital
1980 Look, She Has Her Eyes Wide Open
1981 Réserve
1982 The French
???? Sucre amer
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.