A work in constant progress (and occasional regress).
Alias:
Louis Joseph Côté
Birthplace:
Waterville, Maine, USA
Born:
February 22, 1884
Died:
May 31, 1934
From Wikipedia, the free encyclopedia Lew Cody (February 22, 1884 – May 31, 1934) was an American stage and film actor whose career spanned the silent film and early sound film age. He gained notoriety in the late 1910s for playing "male vamps" in films such as Don't Change Your Husband. Early life and career Cody was born Louis Joseph Côté to Joseph Côté and Elizabeth Côté, née Gifford. His father was French Canadian and his mother was a native of Maine. Cody and his younger brothers and sisters were born in Waterville, Maine. The family later moved to Berlin, New Hampshire where Cody's father owned a drug store. In his youth, Cody worked at his father's drug store as a soda jerk. He later enrolled at McGill University in Montreal where he intended to study medicine but abandoned the idea of setting up in practice and joined a theatre stock company in North Carolina. He made his debut on the stage in New York in Pierre of the Plains. Cody later moved to Los Angeles and began a film career with Thomas Ince. Cody had at least 99 film credits during a twenty-year period between 1914 and 1934. Personal life Cody was married three times. His first two marriages were to actress Dorothy Dalton. They first married in 1910 and divorced in 1911. They remarried in 1913 and were divorced a second time in 1914. Cody married Mabel Normand in 1926. They remained married until Normand's death from tuberculosis in February 1930. Death On May 31, 1934, Cody died of heart attack in his sleep at his home in Beverly Hills, California. He is buried in St. Peter's Cemetery, Lewiston, Maine in the family plot.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.