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Edith Margarita Massola Mederos (b. 1967)

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Alias:
Edith Massola

Birthplace:
La Habana - Cuba

Born:
September 7, 1967

Biography from TheMovieDB

Edith Margarita Massola Mederos nació el 7 de septiembre de 1967. Es de Centro Habana. Ha tenido una amplia carrera artística que comenzó un 7 de septiembre a la edad de 14 años cuando ingresó en estudios de danza.  Debutó en “Una novia para David” con el personaje de Olga, para después consolidar su carrera en los predios del teatro musical y la televisión.  Su versatilidad puede constatarse en series dramatizadas como “El año que viene” o “Al compás del son” y películas de reciente producción, entre ellas “Nada” y “La noche de los inocentes”.  Conduce desde 1998 el popular programa 23 y M de la Televisión Cubana, durante varios años bajo la dirección de Julio César Leal. Actualmente ella es la Directora del programa.   Massola es una de las artistas cubanas más carismáticas en la actualidad. Tiene el don de desdoblarse magistralmente para realizar cualquier caracterización o actividad. Prueba de todo ello ha sido su debut en el cine con el papel de Olga en el filme Una novia para David, además de las interpretaciones en las películas “Nada” de Juan Carlos Cremata en el 2001 y “La noche de los inocentes”.   Ha trabajado en novelas cubanas y series dramatizadas como “El año que viene” donde popularizó la frase “Dime algo, Fernández”, “ Al compás del son”, Maritere en “Salir de noche”.  En teatro en obras como “Las viejas putas” de Juan Carlos Cremata, en personajes humorísticos como Maritrini, personaje del programa musical “Sabadazo”, la simpática secretaria de Albertico Pujols en “Su respuesta, Doctor”, en un teleplay con Rigoberto Ferrera, entre otros.

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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