Marianne Schaefer Trench

Gallery Unavailable

Alias:
Marianne Trench

Marianne Schaefer Trench is an award-winning filmmaker who has written, produced and directed feature films, numerous documentaries and hundreds of short films for German TV and international markets. Her films consistently garner rave reviews and top ratings.   While still in Germany, Marianne Schaefer Trench progressed from painter to video artist to full-fledged film director.  In 1984 she produced, wrote and directed the 35-mm theatrical release, “Tears in Florence”. This feature film, which was presented at the Berlin Film Festival and was the surprise hit at the 1985 Max Ophüls Prize competition, got national and international distribution and was shown at the Museum of Modern Art and other prestigious venues.  Schaefer Trench’s documentaries range from investigative journalism to “fly-on-the-wall” style to cinema vérité. Her short films address mainly socio-cultural subjects and trends in fine art, music, subculture and high-technology. In 1990 she directed the ground-breaking feature film “Cyberpunk,” an overview of the computer counter-culture long before it was recognized as such.

Additional information:

The Search Form


Director:
1990  Cyberpunk

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.