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Lorena Jorge

Biography from TheMovieDB

Lorena Jorge is a William Esper Studio alum, trained under the guidance and teachings of the late Bill Esper. She has graced many New York City stages and screens for over a decade. You have seen her in CW's Jane The Virgin, TNT's The Last Ship, The Spanish Repertory Theater's "La Gringa," and off Broadway Productions like David Lamb's "Platanos & Collard Greens." She was Net's Faith Film Festival host for over three seasons and is a prominent Voiceover Artist in Film, TV, and Radio in both Spanish and English Markets. Under her production company, Hidden Root Productions, Lorena has written, produced, and directed three short films and mini series coming to streaming platforms and festivals near you. You can currently listen to her on the Latin Dish Podcast and watch her in the Award Winning film, First Day Back at UMC.TV. this season's NCIS, UCLA & NIH film collaboration, Try, and pilots Ellay and HBOMax's Vegas High. She is a Native New Yorker that holds her BA from Fordham University in Criminology and Sociology with a Visual Arts Minor. Overall, Lorena Jorge is an interdisciplinary Afro-Latina Artist and proud first generation American, who from an early age has lived by the mantra, "With Hard Work Anything is Possible."

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Film Performances

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Film Production

Co-Producer:
2020  Pinky's Dream

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TV Performances

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.