Bill Posley

Bill Posley is a biracial veteran who hails from Massachusetts. His father was a black activist who married a white woman. That irony shaped his comedy career. He's written on Cobra Kai (Netflix), Welcome To Flatch (Fox), Kenan (NBC). He was a JFL New Face of Comedy and won Off Broadway Alliance's Best Solo Show Award for The Day I Became Black.

Additional information:

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Associate Producer:
2021  Fempire

Camera Operator:
2014  Pahlavan
2021  Fempire

Director:
2014  Pahlavan
2021  Fempire
2022  Bitch Ass

Director of Photography:
2009  The Dunwich Horror
2014  Pahlavan
2021  Fempire
2022  Bitch Ass

Executive Producer:
2009  The Dunwich Horror
2014  Pahlavan
2021  Fempire
2022  Bitch Ass

Gaffer:
2007  Invasion of the Pod People
2009  The Dunwich Horror
2014  Pahlavan
2021  Fempire
2022  Bitch Ass

Producer:
2007  Invasion of the Pod People
2009  The Dunwich Horror
2014  Pahlavan
2021  Fempire
2022  Bitch Ass
2023  Dead Beats

Screenplay:
2007  Invasion of the Pod People
2009  The Dunwich Horror
2014  Pahlavan
2021  Fempire
2022  Bitch Ass
2023  Dead Beats

Writer:
2007  Invasion of the Pod People
2009  The Dunwich Horror
2014  Pahlavan
2021  Fempire
2022  Bitch Ass
2023  Dead Beats
????  Sam and Victor's Day Off

Co-Producer:
2022  Welcome to Flatch

Supervising Producer:
2022  Welcome to Flatch
2023  Shrinking

Writer:
2018  Cobra Kai
2022  Welcome to Flatch
2023  Shrinking

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.