Harry Horner (1910-1994)

Gallery Unavailable

Birthplace:
Holitz, Bohemia

Born:
July 24, 1910

Died:
December 5, 1994

From Wikipedia, the free encyclopedia. Harry Horner (July 24, 1910 - December 5, 1994) was an Austrian art director who made a successful career in Hollywood. He was born in the town of Holitz, which now belongs to the Czech Republic, to German speaking parents in Bohemia.  He began his career working with Max Reinhardt in Vienna. When Reinhardt moved to the United States in the early 1930s, Horner went along with him. During World War II, he served as production designer and set designer for the U.S. Army Air Forces show Winged Victory. He won an Oscar in 1949 for his work on William Wyler's The Heiress and another in 1961 for Robert Rossen's drama The Hustler.  One of his first notable successes was George Cukor's A Double Life (1947) and he soon found himself up on the Oscar podium in 1949 for his work on William Wyler's The Heiress. He worked with Cukor again in 1950 on Born Yesterday and then tried his hand at directing on several TV series, including Gunsmoke. He was nominated for a third time in 1969 for Sydney Pollack's 30s drama They Shoot Horses, Don't They .  Horner directed a few films beginning with Red Planet Mars and Beware, My Lovely both in 1952.  He retired after completing the Neil Diamond remake of The Jazz Singer in 1980. He died of pneumonia in 1994 in Pacific Palisades, California, aged 84.  Description above from the Wikipedia article Harry Horner, licensed under CC-BY-SA,full list of contributors on Wikipedia.

Additional information:

The Search Form


Art Direction:
1949  The Heiress

Director:
1949  The Heiress
1952  Beware, My Lovely
1952  Red Planet Mars
1953  Vicki
1954  New Faces
1955  A Life in the Balance
1956  Man from Del Rio
1956  The Wild Party

Production Design:
1943  Stage Door Canteen
1947  A Double Life
1949  The Heiress
1950  Born Yesterday
1950  Outrage
1950  Tarzan and the Slave Girl
1951  He Ran All the Way
1952  Androcles and the Lion
1952  Beware, My Lovely
1952  Red Planet Mars
1953  Vicki
1954  New Faces
1955  A Life in the Balance
1956  Man from Del Rio
1956  The Wild Party
1958  Separate Tables
1959  The Wonderful Country
1961  The Hustler
1969  They Shoot Horses, Don't They?
1971  Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me?
1972  Up the Sandbox
1975  The Black Bird
1976  Harry and Walter Go to New York
1977  Audrey Rose
1978  Moment by Moment
1978  The Driver
1979  Strangers: The Story of a Mother and Daughter
1980  The Jazz Singer

Production Designer:
1943  Stage Door Canteen
1943  Tarzan Triumphs
1947  A Double Life
1949  The Heiress
1950  Born Yesterday
1950  Outrage
1950  Tarzan and the Slave Girl
1951  He Ran All the Way
1952  Androcles and the Lion
1952  Beware, My Lovely
1952  Red Planet Mars
1953  Vicki
1954  New Faces
1955  A Life in the Balance
1956  Man from Del Rio
1956  The Wild Party
1958  Separate Tables
1959  The Wonderful Country
1961  The Hustler
1969  They Shoot Horses, Don't They?
1971  Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me?
1972  Up the Sandbox
1975  The Black Bird
1976  Harry and Walter Go to New York
1977  Audrey Rose
1978  Moment by Moment
1978  The Driver
1979  Strangers: The Story of a Mother and Daughter
1980  The Jazz Singer

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.