Irene Rich (1891-1988)

Alias:
Irene Frances Luther
Irene Luther

Birthplace:
Buffalo, New York, USA

Born:
October 11, 1891

Died:
April 22, 1988

From Wikipedia  Irene Rich (October 13, 1891 - April 22, 1988) was an American actress who worked in both silent films and talkies, as well as radio.  Rich worked for Will Rogers, who used her in eight pictures, including Water Water Everywhere (1920), The Strange Boarder (1920), Jes' Call Me Jim (1920), Boys Will Be Boys (1921), and The Ropin' Fool (1921). She often portrayed society women, such as in the 1925 adaptation of Lady Windermere's Fan and also in Queen of the Yukon (1940).  In two of her last films she played a frontier wife and mother: She was the mother of Gail Russell's character in John Wayne's Angel and the Badman (1947); in John Ford's cavalry story Fort Apache (1948) she portrayed Mrs. O'Rourke, the wife of Sergeant O'Rourke (Ward Bond).  In the 1930s, Rich did much work in radio. From 1933 to 1944, she hosted a nationwide anthology program of serialized mini-dramas, Dear John (aka The Irene Rich Show). Her leading man was actor Gale Gordon (who later played Lucille Ball's apoplectic boss "Mr. Mooney" on TV).  Rich appeared in stage productions, including Seven Keys to Baldpate (1935) which starred George M. Cohan, the creator of the play, and later As the Girls Go in 1948.  Rich has two stars on the Hollywood Walk of Fame, one for her contribution to the motion picture industry at 6225 Hollywood Boulevard and one for her contributions to the radio industry at 6150 Hollywood Boulevard.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.