Matt S. Bell

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Alias:
Matt Bell

Matt S. Bell started his career as a stills photographer, winning a number of awards and quickly gaining a reputation for his unique cinematic work. After completing a Paris-based residency program in 2011, Bell made the transition into motion pictures. He has photographed numerous feature films, commercials, and music videos.

Additional information:

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Camera Operator:
2017  A Deadly Affair
2017  Nanny Seduction

Cinematography:
2017  A Deadly Affair
2017  Nanny Seduction
2018  Samantha
2022  Phony

Director:
2014  Vamped
2017  A Deadly Affair
2017  Nanny Seduction
2018  Samantha
2022  Phony

Director of Photography:
2014  Vamped
2015  Zombie Shark
2016  Ozark Sharks
2017  A Deadly Affair
2017  Mississippi River Sharks
2017  Nanny Seduction
2018  Did I Kill My Mother?
2018  Samantha
2018  Santa Jaws
2018  The Christmas Contract
2019  Christmas in Louisiana
2020  Bound by Law
2022  A New Orleans Noel
2022  My Southern Family Christmas
2022  Phony
2022  The Requin
2022  To Her, With Love

Steadicam Operator:
2014  Vamped
2015  Zombie Shark
2016  Ozark Sharks
2017  A Deadly Affair
2017  Dream House Nightmare
2017  Mississippi River Sharks
2017  Nanny Seduction
2018  Did I Kill My Mother?
2018  Samantha
2018  Santa Jaws
2018  The Christmas Contract
2019  Christmas in Louisiana
2020  Bound by Law
2022  A New Orleans Noel
2022  My Southern Family Christmas
2022  Phony
2022  The Requin
2022  To Her, With Love

Director of Photography:
2015  The Parallax Theory

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.