A work in constant progress (and occasional regress).
Birthplace:
New York City, New York, USA
Born:
October 28, 1973
John Brawley ACS built a reputation as one of Australia's most talented, innovative and collaborative Directors of Photography before relocating to the US where he's continued to build on that reputation, working nonstop on projects including Apple's critically acclaimed, hit series The Morning Show, led period dramedy The Great for Hulu/MRC, and NBC's true-crime limited series The Thing About Pam..
Associate Producer:
2009 Lake Mungo
Cinematography:
2005 Endangered
2009 Lake Mungo
2016 Eaglehawk
Director of Photography:
2005 Endangered
2009 Lake Mungo
2009 No Petrol, No Diesel
2010 The Perfect Host
2012 100 Bloody Acres
2013 The Turning
2016 Eaglehawk
2016 Scare Campaign
2016 The Ravens
2017 Beaches
2021 The Desperate Hour
2022 Taurus
2024 Ricky Stanicky
Post Production Supervisor:
2005 Endangered
2009 Lake Mungo
2009 No Petrol, No Diesel
2010 The Perfect Host
2012 100 Bloody Acres
2013 The Turning
2016 Eaglehawk
2016 Scare Campaign
2016 The Ravens
2017 Beaches
2021 The Desperate Hour
2022 Taurus
2024 Ricky Stanicky
Director:
2018 The Resident
2024 Bad Monkey
Director of Photography:
2015 The Beautiful Lie
2018 The Resident
2019 The Morning Show
2020 The Great
2024 Bad Monkey
Second Unit Director of Photography:
2015 Gallipoli
2015 The Beautiful Lie
2018 The Resident
2019 The Morning Show
2020 The Great
2024 Bad Monkey
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.