John Brawley (b. 1973)

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Birthplace:
New York City, New York, USA

Born:
October 28, 1973

John Brawley ACS built a reputation as one of Australia's most talented, innovative and collaborative Directors of Photography before relocating to the US where he's continued to build on that reputation, working nonstop on projects including Apple's critically acclaimed, hit series The Morning Show, led period dramedy The Great for Hulu/MRC, and NBC's true-crime limited series The Thing About Pam..

Additional information:

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Associate Producer:
2009  Lake Mungo

Cinematography:
2005  Endangered
2009  Lake Mungo
2016  Eaglehawk

Director of Photography:
2005  Endangered
2009  Lake Mungo
2009  No Petrol, No Diesel
2010  The Perfect Host
2012  100 Bloody Acres
2013  The Turning
2016  Eaglehawk
2016  Scare Campaign
2016  The Ravens
2017  Beaches
2021  The Desperate Hour
2022  Taurus
2024  Ricky Stanicky

Post Production Supervisor:
2005  Endangered
2009  Lake Mungo
2009  No Petrol, No Diesel
2010  The Perfect Host
2012  100 Bloody Acres
2013  The Turning
2016  Eaglehawk
2016  Scare Campaign
2016  The Ravens
2017  Beaches
2021  The Desperate Hour
2022  Taurus
2024  Ricky Stanicky

Director:
2018  The Resident
2024  Bad Monkey

Director of Photography:
2015  The Beautiful Lie
2018  The Resident
2019  The Morning Show
2020  The Great
2024  Bad Monkey

Second Unit Director of Photography:
2015  Gallipoli
2015  The Beautiful Lie
2018  The Resident
2019  The Morning Show
2020  The Great
2024  Bad Monkey

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Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.