A work in constant progress (and occasional regress).
Alias:
Melissa Lawson
Melissa Lawson Cheung is a Los Angeles–based film and television editor. Early in her career, she worked as a first assistant editor on large-scale films such as Red Tails (2007) and Peter Berg’s Battleship (2012). Over time, she transitioned into full editorial roles, editing independent features including Gutshot Straight (2014), Last Man Club (2016), and serving as lead editor on Peter Berg’s action thriller Mile 22 (2018). In television, Lawson Cheung has contributed significantly to several acclaimed series. She edited episodes for Outlander (Seasons 2–3) with Ronald D. Moore, including pivotal installments such as the emotionally charged “The Bakra.” She also worked on USA Network’s Mr. Robot (Season 4), and as additional editor on Patriot’s Day (2016). Lawson Cheung has also engaged with high-profile Marvel Studios television productions. She has editing credits on Disney+ series such as Secret Invasion, handling multiple episodes including “Promises,” “Betrayed,” and “Beloved.” She is also an editor on Daredevil: Born Again (2025), marking her continuation within the Marvel franchise. She trained at the Academy of Art University. She was also interviewed in 2020 alongside Liza Cardinale in the “Art of the Cut” podcast, discussing her editorial approach on Outlander and Mr. Robot.
Editor:
2014 Gutshot Straight
2016 Last Man Club
2018 Mile 22
2024 Still Life
First Assistant Editor:
2012 Battleship
2012 Red Tails
2014 Gutshot Straight
2016 Last Man Club
2018 Mile 22
2024 Still Life
Editor:
2023 Secret Invasion
2025 Daredevil: Born Again
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.