A work in constant progress (and occasional regress).
Assistant Director:
1999 Lara y los trenes
Director:
1999 Lara y los trenes
2014 El asombro
2016 Intervened Archives: Cinema School
Editor:
1999 Lara y los trenes
2009 Pink Motherland
2010 Los caminos que esperan
2010 Mother Tongue
2011 Hoy no tuve miedo
2011 The Laugh
2011 The Lips
2011 The Prize
2013 La Paz
2014 El asombro
2016 Crespo (La continuidad de la memoria)
2016 Intervened Archives: Cinema School
2018 Without Leon
2019 Brief Story from the Green Planet
2019 La excusa del sueño americano
2019 Mother-Child
2021 A Common Crime
2021 Metok
2021 Our Happiest Days
2021 The Vacant Lot
2021 We Will Never Die
2022 Dusk Stone
2023 Dust
2023 The Delights
2024 A Man Who Writes
Editorial Consultant:
1999 Lara y los trenes
2009 Pink Motherland
2010 Los caminos que esperan
2010 Mother Tongue
2011 Hoy no tuve miedo
2011 The Laugh
2011 The Lips
2011 The Prize
2013 La Paz
2014 El asombro
2016 Crespo (La continuidad de la memoria)
2016 Intervened Archives: Cinema School
2017 The Creator of Universes
2018 Frankie
2018 Without Leon
2019 Brief Story from the Green Planet
2019 La excusa del sueño americano
2019 Mother-Child
2021 A Common Crime
2021 Metok
2021 Our Happiest Days
2021 The Vacant Lot
2021 We Will Never Die
2022 Dusk Stone
2023 Dust
2023 The Delights
2024 A Man Who Writes
Producer:
1999 Lara y los trenes
2009 Pink Motherland
2010 Los caminos que esperan
2010 Mother Tongue
2011 Hoy no tuve miedo
2011 The Laugh
2011 The Lips
2011 The Prize
2013 La Paz
2014 El asombro
2016 Crespo (La continuidad de la memoria)
2016 Intervened Archives: Cinema School
2017 The Creator of Universes
2018 Frankie
2018 Without Leon
2019 Brief Story from the Green Planet
2019 La excusa del sueño americano
2019 Mother-Child
2021 A Common Crime
2021 Metok
2021 Our Happiest Days
2021 The Vacant Lot
2021 We Will Never Die
2022 Dusk Stone
2023 Dust
2023 The Delights
2024 A Man Who Writes
Thanks:
1999 Lara y los trenes
2009 Pink Motherland
2010 Los caminos que esperan
2010 Mother Tongue
2011 Hoy no tuve miedo
2011 The Laugh
2011 The Lips
2011 The Prize
2013 La Paz
2014 El asombro
2016 Crespo (La continuidad de la memoria)
2016 Intervened Archives: Cinema School
2017 The Creator of Universes
2018 Frankie
2018 Without Leon
2019 Brief Story from the Green Planet
2019 La excusa del sueño americano
2019 Mother-Child
2020 Santa Fe - notas, 2017-2019
2021 A Common Crime
2021 Metok
2021 Our Happiest Days
2021 The Vacant Lot
2021 We Will Never Die
2022 Dusk Stone
2023 Dust
2023 The Delights
2024 A Man Who Writes
Writer:
1999 Lara y los trenes
2009 Pink Motherland
2010 Los caminos que esperan
2010 Mother Tongue
2011 Hoy no tuve miedo
2011 The Laugh
2011 The Lips
2011 The Prize
2013 La Paz
2014 El asombro
2016 Crespo (La continuidad de la memoria)
2016 Intervened Archives: Cinema School
2017 The Creator of Universes
2018 Frankie
2018 Without Leon
2019 Brief Story from the Green Planet
2019 La excusa del sueño americano
2019 Mother-Child
2020 Santa Fe - notas, 2017-2019
2021 A Common Crime
2021 Metok
2021 Our Happiest Days
2021 The Vacant Lot
2021 We Will Never Die
2022 Dusk Stone
2023 Dust
2023 The Delights
2024 A Man Who Writes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.