Michael Lucas (b. 1972)

Alias:
Michal Lucas
Michel Lucas
Ramzes Kairoff

Birthplace:
Moscow, Russia

Born:
March 11, 1972

What is there to say about Michael Lucas? A good place to start is the beginning: Lucas Entertainment founder and president Michael Lucas was born in Moscow, Russia, on March 10, 1972. He was raised in Moscow and attended college there, graduating with a degree in law. In 1995, Michael Lucas moved to Germany, then to France, where he began modeling and appearing on several European television programs and covers of many European magazines. In 1998, Lucas opened his own production company, Lucas Entertainment, in New York City. Later that year, he made his directorial debut with the well-received Back in the Saddle. This first production sparked the Michael Lucas "renegade" vision that is indelibly New York. Additionally, basing his company in New York City, as opposed to the more traditional Los Angeles, enabled Lucas to showcase the diversity of types and ethnicities found nowhere else. MIchael Lucas started Lucas Distribution, Inc. in 2004 and LucasBlog.com in 2005. Both are pioneering ventures in the competitive realms of adult video distribution and online media, respectively. In the summer of 2005 he released GayVN's Best Picture of the year, a high-budget adult film remake of Dangerous Liaisons, featuring celebrity cameos from RuPaul, Boy George, Graham Norton, Bruce Vilanch, and Michael Musto. In 2006, filming began on his most buzzed about film ever, Michael Lucas' La Dolce Vita. The production included a big-budget fashion show, a sextra-filled club orgy scene, a headline-making fountain scene with Vivid star Savanna Samson. On November 12, 2004, Michael Lucas was proudly sworn in as an American citizen.

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.