Cassandra Sechler

Cassandra Sechler also known as the "Mistress of the Weird and the Wonderful," is a conceptual artist based in San Francisco, California.  Her background and interest is in fine art photography and psychology, which aids in providing her viewer with expressionistic works that are both personal and poetic. The nature of gender, sexuality, identity, dreams, technological infrastructure, and her place within them are often the main focus of her work as a visual artist.  Sechler received her BA at San Francisco State University in 2009 and since has been a curator, writer, actress, and director at Dreams For Dead Cats Productions (DDCP), a San Francisco based DIY production team run by herself and filmmaker/musician Craig Jacobson. Together they express their visions by any means necessary through a variety of media, specializing in photography, film and video, editing, music, sound design, sculpture, make-up, graphic design, and more, aiming to provide exposure to non commercial artists' endeavors worldwide.  In addition to Sechler's work at DDCP, she has been lead curator for the Dimensions, Mindscapes, and Technophobia International Film Festivals, which toured the US. In 2013, Sechler was chosen as a juror and host at the 4th Annual Mascara and Popcorn Film Festival (Montreal), and she continues to organize and host underground film nights and exhibit her artwork in the bay area and beyond.  Between 2008 and 2015, Sechler has completed over 11 short films, including the celebrated Belle Nouveau (2010), Lovey (2011), and Wireboy (2013), which have been screened internationally and received high acclaim.  Sechler is currently working on a handful of feature films: Dolly Deadly (writer, 2016), Elliot (assistant director,/makeup artist/actor 2016), Tearful Surrender (writer, director, 2017), and Acrotalk (writer,director, 2017). She is also working on several upcoming web series and collaborative films: Proof That It Happened (director, ongoing series), and Windows (writer, director, ongoing series).

Additional information:

The Search Form


Assistant Director:
2017  Elliot

Camera Operator:
2017  Elliot

Cinematography:
2017  Elliot

Costume Design:
2017  Elliot

Director:
2017  Elliot
2018  Lovesick
????  Tearful Surrender
????  The Return of the Näcken

Editor:
2017  Elliot
2018  Lovesick
????  Tearful Surrender
????  The Return of the Näcken

Key Makeup Artist:
2017  Elliot
2018  Lovesick
????  Tearful Surrender
????  The Return of the Näcken

Makeup Artist:
2017  Elliot
2018  Lovesick
????  Tearful Surrender
????  The Return of the Näcken

Producer:
2017  Elliot
2018  Lovesick
????  Tearful Surrender
????  The Return of the Näcken

Set Designer:
2017  Elliot
2018  Lovesick
????  Tearful Surrender
????  The Return of the Näcken

Special Effects Key Makeup Artist:
2017  Elliot
2018  Lovesick
????  Tearful Surrender
????  The Return of the Näcken

Writer:
2016  Dolly Deadly
2017  Elliot
2018  Lovesick
????  Tearful Surrender
????  The Return of the Näcken

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.