A work in constant progress (and occasional regress).
Born:
September 19, 1980
Pernell Walker (born September 19, 1980) is an American actress known for her impactful performances in film, television, and theater. Hailing from the South Bronx, Walker earned a Bachelor of Arts in Theater from City College and a Master of Fine Arts in Acting from the Actors Studio Drama School. Walker first garnered attention with her breakout role as Laura in Pariah (2011), an award-winning Focus Features film directed by Dee Rees. Her performance earned critical acclaim and established her as a compelling presence in independent cinema. She further showcased her versatility with roles in television series such as The Deuce (2017–2019), where she portrayed Ruby "Thunder Thighs," and City on a Hill (2021–2022), in which she played Grace Campbell. Her Off-Broadway debut came with the world premiere of SEED (2011), and she has participated in stage readings like Accept/Except, directed by Tony and Emmy Award-winning George Faison. Her stage performances, including roles in Singin' Wid a Sword in Ma Hand and Post Prison Playdate, reflect her commitment to powerful storytelling across mediums. Walker’s television credits include notable appearances in When They See Us (2019), directed by Ava DuVernay, Law & Order: Special Victims Unit (2018), and Dietland (2018). She has also appeared in films like Lost Cat Corona (2017) and Ambition’s Debt (2017). In recent years, her work has continued to expand, with roles in the Netflix series Ripley (2024) and the feature film Weekend in Taipei (2024).
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.