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Fatma Zohra Zamoum (b. 1967)

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Alias:
Zamoun

Birthplace:
Bordj-Ménaiel, Algeria

Born:
January 19, 1967

Biography from TheMovieDB

Fatma Zohra Zamoum is a writer, director and producer. She taught Art History and Cinema in  Universities (2004-2010)  After attending the Fine Art School in Algiers (1985-1988), she went to Paris where she gratuated in Art History and Cinematography and Audiovisual studies at the Sorbonne in 1995. Z'har (2009) is Zamoum's first feature film, decipting scenes from the violence Algiers experienced in the 1990s. In 2005, she directed a short film La Pelote de Laine and has also authored several books including Comment j'ai fumé tous mes livres (2006). In 2009, she directed a documentary as a tribute to Sembene Ousmane, named Le Docker Noir, Sembene Ousmane.  In 2011, she directed and produced a second feature film Kedach Ethabni (How Big Is Your Love) which tells the story of how Adel copes with a period spent with his grandmother after his parents break up. In 2014, she directed a historical docu drama for algerian Tv.  Since then she is developing new projects.

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Film Production

Director:
2006  La Pelote de Laine
2009  (Un)Lucky
2011  How Big Is Your Love?
2020  Parkour(s)

Screenplay:
2006  La Pelote de Laine
2009  (Un)Lucky
2011  How Big Is Your Love?
2020  Parkour(s)

Writer:
2006  La Pelote de Laine
2009  (Un)Lucky
2011  How Big Is Your Love?
2020  Parkour(s)

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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