Em Siobhan McCourt

Birthplace:
Alberta, Canada

Em Siobhan McCourt is an award-winning genderfluid actor, director, producer, and stage-combatant whose creative mandate is to bring marginalized peoples to screens around the world. Originally hailing from Edmonton, Alberta, Em graduated theatre school in Alberta with distinction, performing as both an accomplished theatre actor and fiddle player across Canada. He moved to Toronto, Ontario to dive into film in 2015, and now moves between Canada and Ireland for work.  Em's debut film performance was a role in Matt Shakman's Cut Bank, which was the first film role he ever auditioned for, and the experience he has credited with igniting his passion for screen acting. Em pursued her career as an actor beginning in her late teens, and began following the drive to create when he moved to Toronto. Training primarily with Armstrong Acting Studios, Em developed a well-honed talent for honesty and grudging vulnerability that spans comedy (Kim's Convenience (2016)), historical (Murdoch Mysteries (2008)), drama (Jupiter's Legacy (2021)) and much in between.  Born in rural Alberta, Em and his family moved frequently during his childhood, living in Edmonton and Calgary, and even spending a year living in Ireland so that Em and her siblings could get to know their Irish extended-family. For years after, their friends all claimed Em and their siblings had developed deeper Irish accents.  He has created with Ariadne Deibert for their joint Youtube channel 5 Minutes You'll Never Get Back, and works to promote gender diversity with her production company Vicarious Playground Productions.  Em has dual citizenship with their homeland, Ireland.

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.