A work in constant progress (and occasional regress).
Documentary film maker and executive producer responsible for the coordination of the Sambaqui Cultural productions. She was a TV and newspaper reporter from 1995 to 2006 and editor of Fantastic / TV Globo. Became known after her first short Film "The Visit", 2005, which aired in 12 countries and was the winner of the festival “It's All True” as best Brazilian short film in 2006, among the 21 awards received. Her first feature film “Captive Hearts” premiered at the Rio Festival 2013 - the film won an honorable mention from the jury and later made the official selection at the Stockholm Film Festival 2014. She also directed a trilogy on motherhood with the films Ultra Baby, My Reborn baby and Childbirth Banned in Paradise. She was Executive Producer for the feature film “Praça Paris”, by Lúcia Murat; of the long doc “Auto de Resistência”, by Lula Carvalho and Natasha Neri, winner of the It's All True Festival 2018, executive producer of the 3rd season of the series "The Men Are from Mars and That's Where I Go", by Suzana Garcia, with Mônica Martelli, among others.
Director:
2005 The Visit
2013 In the light of day
2014 Captive Hearts
2018 My Reborn Baby
2021 Childbirth Banned in Paradise
2024 Noel Rosa – A Living Spirit
2025 Os 80 gigantes
???? A Gondola for New Venice
???? Marcha Lenta em Rua Escura
???? Rumor
???? Ultra Baby
Editor:
2005 The Visit
2013 In the light of day
2014 Captive Hearts
2018 My Reborn Baby
2021 Childbirth Banned in Paradise
2024 Noel Rosa – A Living Spirit
2025 Os 80 gigantes
???? A Gondola for New Venice
???? Marcha Lenta em Rua Escura
???? Rumor
???? Ultra Baby
Executive Producer:
2005 The Visit
2013 In the light of day
2014 Captive Hearts
2017 Praça Paris
2018 Auto de Resistência
2018 My Reborn Baby
2021 Childbirth Banned in Paradise
2024 Noel Rosa – A Living Spirit
2025 Os 80 gigantes
???? A Gondola for New Venice
???? Marcha Lenta em Rua Escura
???? Rumor
???? Ultra Baby
Producer:
2005 The Visit
2013 In the light of day
2014 Captive Hearts
2017 Praça Paris
2018 Auto de Resistência
2018 My Reborn Baby
2021 Childbirth Banned in Paradise
2024 Noel Rosa – A Living Spirit
2025 Os 80 gigantes
???? A Gondola for New Venice
???? Marcha Lenta em Rua Escura
???? Rumor
???? Ultra Baby
Researcher:
2005 The Visit
2013 In the light of day
2014 Captive Hearts
2017 Praça Paris
2018 Auto de Resistência
2018 My Reborn Baby
2021 Childbirth Banned in Paradise
2024 Noel Rosa – A Living Spirit
2025 Os 80 gigantes
???? A Gondola for New Venice
???? Marcha Lenta em Rua Escura
???? Rumor
???? Ultra Baby
Screenplay:
2005 The Visit
2013 In the light of day
2014 Captive Hearts
2017 Praça Paris
2018 Auto de Resistência
2018 My Reborn Baby
2021 Childbirth Banned in Paradise
2024 Noel Rosa – A Living Spirit
2025 Os 80 gigantes
???? A Gondola for New Venice
???? Marcha Lenta em Rua Escura
???? Rumor
???? Ultra Baby
Writer:
2005 The Visit
2013 In the light of day
2014 Captive Hearts
2017 Praça Paris
2018 Auto de Resistência
2018 My Reborn Baby
2021 Childbirth Banned in Paradise
2024 Noel Rosa – A Living Spirit
2025 Os 80 gigantes
???? A Gondola for New Venice
???? Marcha Lenta em Rua Escura
???? Rumor
???? Ultra Baby
Executive Producer:
2014 Os Homens São de Marte... E é pra Lá que Eu Vou
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.