A work in constant progress (and occasional regress).
Birthplace:
Concord, California
Born:
February 28, 1979
Jason D. Morris is an emerging filmmaker recognized for his distinctive approach to the horror genre. He has cultivated a reputation for pairing atmospheric tension with unique undertones, resulting in films that entertain while subverting traditional storytelling conventions. Morris’s latest work, The Space Rodent, exemplifies his commitment to crafting innovative narratives on a micro-budget, reflecting both his resourcefulness and dedication to independent cinema. He studied film at Academy of Art University in San Francisco, refining the hands-on approach that now characterizes his creative process. Morris was drawn to filmmaking through his early fascination with genre movies and their ability to evoke a wide range of emotional responses. He further pursued informal training and self-directed study of film production techniques, gaining hands-on experience in low-budget projects that demanded versatile skill sets. As a result, he developed expertise not only in direction but also in screenwriting, editing, and producing. Prior to The Space Rodent, Morris helmed earlier projects such as Collapse (2015)—an existential horror feature—and the documentary Millennium After the Millennium (2019), showcasing his capacity to weave compelling narratives across multiple genres. In his directorial work, Morris emphasizes collaboration and creative problem-solving. His sets are reputed for their supportive atmosphere, where cast and crew are encouraged to experiment with improv elements and comedic timing. This focus on teamwork contributes to the distinctive comedic beats that punctuate Morris’s otherwise suspense-laden storylines. The Space Rodent, his first comedic feature-length film, serves as a testament to this approach—melding chills, laughs, and a sense of playful irreverence. Morris cites classic horror directors, as well as contemporary independent filmmakers, among his key influences. He frequently experiments with unconventional visual effects and practical makeup techniques, underscoring his belief in the power of hands-on artistry. With The Space Rodent, he continues to build a body of work that aims to challenge audience expectations while celebrating the fun inherent in genre filmmaking. Committed to expanding the horizons of low-budget horror, Jason D. Morris remains focused on exploring uncharted intersections between fear and humor. His evolving filmography demonstrates an ambition to redefine what is achievable within independent productions, positioning him as a noteworthy talent in the realm of horror cinema.
Cinematography:
2014 Predatory Lender
Co-Producer:
2014 Predatory Lender
Director:
2006 Millennium Apocalypse: The End is Here...
2008 Hell House
2014 Predatory Lender
2015 Collapse
2018 Dark Winter
2019 Millennium After the Millennium
???? The Space Rodent
Editor:
2006 Millennium Apocalypse: The End is Here...
2008 Hell House
2014 Predatory Lender
2015 Collapse
2015 Story of Eva
2018 Dark Winter
2019 Millennium After the Millennium
???? The Space Rodent
Music:
2006 Millennium Apocalypse: The End is Here...
2008 Hell House
2014 Predatory Lender
2015 Collapse
2015 Story of Eva
2018 Dark Winter
2019 Millennium After the Millennium
???? The Space Rodent
Producer:
2006 Millennium Apocalypse: The End is Here...
2008 Hell House
2010 The Wedding
2014 Predatory Lender
2015 Collapse
2015 Story of Eva
2018 Dark Winter
2019 Millennium After the Millennium
???? The Space Rodent
Thanks:
2006 Millennium Apocalypse: The End is Here...
2008 Hell House
2010 The Wedding
2014 Predatory Lender
2015 Collapse
2015 Story of Eva
2018 Dark Winter
2019 Millennium After the Millennium
2022 It Came From Somewhere
???? The Space Rodent
Writer:
2006 Millennium Apocalypse: The End is Here...
2008 Hell House
2010 The Wedding
2013 Betrayal
2014 Predatory Lender
2015 Collapse
2015 Story of Eva
2018 Dark Winter
2019 Millennium After the Millennium
2022 It Came From Somewhere
???? The Space Rodent
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.