Jake Morrison

Jake Morrison is a highly skilled visual effects specialist with more than 15 years of experience. He began his career as a composer before rising to the position of VFX Supervisor on major Marvel films, including The Avengers, Ant Man, and Thor: Ragnarok.Morrison began his career in the industry by working during the day at a 35mm slide bureau and at night utilising many modified Atari computers to "play" images live to music. The slide bureau was going digital, so he soon had access to 3D Studio, Alias PowerAnimator, and Quantel Paintboxes.From there, it was a smooth career development from events to commercials to feature films, where he learnt the skills and worked his way up from the box to lead compositing/CCG supervisor to VFX supervisor.

Additional information:

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CG Supervisor:
2003  Charlie's Angels: Full Throttle

Co-Producer:
2003  Charlie's Angels: Full Throttle
2015  Area 51

Compositor:
2000  Bless the Child
2003  Charlie's Angels: Full Throttle
2015  Area 51

Digital Effects Supervisor:
2000  Bless the Child
2003  Charlie's Angels: Full Throttle
2007  300
2015  Area 51

Second Unit Director:
2000  Bless the Child
2003  Charlie's Angels: Full Throttle
2007  300
2015  Area 51
2022  Thor: Love and Thunder

Senior Visual Effects Supervisor:
2000  Bless the Child
2003  Charlie's Angels: Full Throttle
2007  300
2012  Marvel One-Shot: Item 47
2015  Area 51
2022  Thor: Love and Thunder

Visual Effects Compositor:
2000  Bless the Child
2001  The Animal
2003  Charlie's Angels: Full Throttle
2007  300
2012  Marvel One-Shot: Item 47
2015  Area 51
2022  Thor: Love and Thunder

Visual Effects Supervisor:
2000  Bless the Child
2001  The Animal
2003  Charlie's Angels: Full Throttle
2004  Christmas with the Kranks
2007  300
2010  The Other Guys
2010  Tooth Fairy
2012  Marvel One-Shot: Item 47
2013  Thor: The Dark World
2015  Ant-Man
2015  Area 51
2017  Thor: Ragnarok
2021  Jungle Cruise
2022  Thor: Love and Thunder
2025  Thunderbolts*

Background Designer:
2022  We Baby Bears

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.