Paul Anderson

Gallery Unavailable

Birthplace:
Blythe, California, USA

Paul Anderson was born in Blythe, California, and moved with his family to St. George, UT when he was around 12. Paul had traditional piano lessons as a child, but quit as a teenager (at the time thought it wasn’t “cool”). After being voted Most Shy at his high school he traveled to Seattle, Washington to serve a proselyting mission for the Church of Jesus Christ of Latter-day Saints for two years. While serving, Paul had his first experience with a digital piano and all the different sounds it could create. This opened up a new world for him and he found a new love for the keyboard.  In 2004 Paul started a website, ThePianoGuys.com, to drive customers to his store instead of using the franchise’s website. He loved showing pianos and favored the Yamaha Disklavier and Clavinova. He felt that everyone needed to know about these fine instruments. Every person that walked in the store got educated on what he believed to be the best of the best.  When Jon Schmidt came into the store to practice Paul approached him and said he would create the videos if Jon created the music. Jon was hesitant at first, especially since Love Story Meets Viva La Vida had ran into some copyright issues. Paul eventually convinced Jon to give it a try and he personally funded the initial videos, risking a great deal with the belief it would take off. And it did. “During my first conversation with Paul he told me that ThePianoGuys’ YouTube channel of 10,000 subscribers (at the time) would one day be the largest in the world, I thought he was crazy,” laughs Steven Sharp Nelson. “Since then I’ve eaten my hat.”

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.