A work in constant progress (and occasional regress).
Birthplace:
Porto Alegre, Rio Grande do Sul, Brazil
Born:
June 30, 1982
Diego Poloni is an award-winner music producer, film composer and sound artist which worked on 30+ movies, several award winners, being nominated for Best Original Film Score for "Castanha" (2014) at the 2015 Gran Prize of Brazilian Cinema. Also worked on special projects like composing and performing live original soundtracks for silent movies such as Robert Wiene’s "Orlacs Hände" (1924) and "Genuine" (1920), F. W. Murnau's "Nosferatu" (1922), all three commissioned by the Goethe Institut; Mario Peixoto’s "Limite" (1931), commissioned by Centro Cultural Santander; Tod Browning's "The Unknown", commissioned by The Ling Institute; Musidora's "Pour Don Carlos" (1927), commissioned by Caixa Cultural, among others. As a sound artist he worked in several art pieces, art films and installations, having works exhibited at the White Cubicle Toilet Gallery and Tate Modern, both in London, United Kingdom, among others.
Compositor:
2013 Bagagem
2013 Cedo
2014 Depois Da Avenida
2014 Magma
2014 Na Hora Dos Morcegos...
Music:
2013 Bagagem
2013 Cedo
2014 Depois Da Avenida
2014 Magma
2014 Na Hora Dos Morcegos...
2015 The Roof Above Us
Original Music Composer:
2009 Waiting Room
2010 Metro
2012 Garry
2013 Bagagem
2013 Cedo
2014 Castanha
2014 Depois Da Avenida
2014 Magma
2014 Na Hora Dos Morcegos...
2015 The Last Poem
2015 The Roof Above Us
2016 Don't Promise Me Anything
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.