A work in constant progress (and occasional regress).
Alias:
A.C. Miller
Art Miller
Arthur Charles Miller
Arthur Miller
Birthplace:
Roslyn, New York, USA
Born:
July 8, 1895
Died:
July 13, 1970
From Wikipedia Arthur Charles Miller, A.S.C. (July 8, 1895 - July 13, 1970) was an American cinematographer. Born in Roslyn, New York, Arthur Miller began his career at the age of 13, working as an assistant to filmmaker Fred J. Balshofer. The two remained lifelong friends and in 1967 co-wrote the book about the early days of film titled One Reel a Week. In 1909 Miller was working in New York City as an assistant cameraman for the New York Motion Picture Corporation. He eventually joined Pathé Frères, and although still only 19 years old was the cinematographer for the 1914 adventure serial The Perils of Pauline. He had a lengthy tenure at Paramount, from the late teens throughout the 1920s. In 1932 Miller signed a long-term contract with Fox Film Corporation. Arthur Miller was nominated for the Academy Award for Best Cinematography seven times, winning it in 1942 for How Green Was My Valley, again in 1944 for The Song of Bernadette, and a third time in 1947 for Anna and the King of Siam. He retired in 1951, but remained active in the industry as president of the American Society of Cinematographers. He died in Los Angeles, California in 1970 and was interred in the Hollywood Memorial Park Cemetery.
Additional Director of Photography:
1944 Lifeboat
Cinematography:
1921 Forever
1922 Three Live Ghosts
1931 Father's Son
1932 Breach of Promise
1934 Love Time
1935 Welcome Home
1944 Lifeboat
Director:
1918 The House of Hate
1921 Forever
1922 Three Live Ghosts
1931 Father's Son
1932 Breach of Promise
1934 Love Time
1935 Welcome Home
1944 Lifeboat
Director of Photography:
1914 The Perils of Pauline
1915 At Bay
1916 Arms and the Woman
1918 A Japanese Nightingale
1918 The House of Hate
1920 Idols of Clay
1920 On with the Dance
1920 The Right to Love
1921 Forever
1921 Paying the Piper
1922 Kick In
1922 Three Live Ghosts
1922 To Have and to Hold
1923 Bella Donna
1923 The Cheat
1923 The Eternal City
1924 Cytherea
1924 In Hollywood with Potash and Perlmutter
1924 Tarnish
1925 A Thief in Paradise
1925 His Supreme Moment
1926 For Alimony Only
1926 Made for Love
1926 The Clinging Vine
1926 The Volga Boatman
1927 The Angel of Broadway
1927 Vanity
1928 Annapolis
1928 The Blue Danube
1929 Strange Cargo
1929 The Bellamy Trial
1930 The Lady of Scandal
1930 The Truth About Youth
1931 Bad Company
1931 Father's Son
1931 The Big Shot
1932 Breach of Promise
1932 Me and My Gal
1932 Okay, America!
1932 Panama Flo
1932 Young Bride
1933 My Weakness
1933 Sailor's Luck
1933 The Man Who Dared
1934 Bottoms Up
1934 Ever Since Eve
1934 Handy Andy
1934 Love Time
1934 The White Parade
1935 It's A Small World
1935 Welcome Home
1936 Pigskin Parade
1936 White Fang
1937 Wee Willie Winkie
1938 Just Around the Corner
1938 Little Miss Broadway
1938 Rebecca of Sunnybrook Farm
1938 Submarine Patrol
1939 Here I Am a Stranger
1939 Susannah of the Mounties
1939 The Little Princess
1939 The Rains Came
1940 Brigham Young
1940 Johnny Apollo
1940 On Their Own
1940 The Blue Bird
1940 The Mark of Zorro
1940 Young People
1941 How Green Was My Valley
1941 Man Hunt
1941 Tobacco Road
1942 Son of Fury: The Story of Benjamin Blake
1942 The Ox-Bow Incident
1942 This Above All
1943 Immortal Sergeant
1943 The Moon Is Down
1943 The Song of Bernadette
1944 Lifeboat
1944 The Keys of the Kingdom
1944 The Purple Heart
1945 A Royal Scandal
1946 Anna and the King of Siam
1946 Dragonwyck
1946 The Razor's Edge
1947 Gentleman's Agreement
1948 The Walls of Jericho
1949 A Letter to Three Wives
1950 The Gunfighter
1950 Whirlpool
1951 The Prowler
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.