A work in constant progress (and occasional regress).
Birthplace:
Liège, Belgium
Born:
January 1, 1968
Benoît Debie (born 1968) is a Belgian cinematographer. He is best known for his work on features including Irréversible (2002), Enter the Void (2009), The Runaways (2010) and Spring Breakers (2012).
Director of Photography:
2002 Irreversible
2004 The Card Player
2005 Calvaire
2005 Innocence
2006 Day Night Day Night
2006 Locked Out
2007 Joshua
2008 New York, I Love You
2008 Vinyan
2009 Carriers
2009 Enter the Void
2009 Passage
2009 Remembrance
2010 The Runaways
2012 Get the Gringo
2013 Spring Breakers
2014 Colt 45
2015 Every Thing Will Be Fine
2015 Lost River
2015 Love
2016 One More Time with Feeling
2016 The Beautiful Days of Aranjuez
2016 The Dancer
2017 Submergence
2018 Climax
2018 The Sisters Brothers
2019 Lux Æterna
2019 The Beach Bum
2021 Peculiar Contrast, Perfect Light
2022 Vortex
2023 Seneca: On the Creation of Earthquakes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.