A work in constant progress (and occasional regress).
Birthplace:
Harrow, Middlesex, UK
Born:
November 15, 1974
Marc Lawes is a Sound Designer and 3x Bafta Nominee (The Hour), Emmy Nominee (The Bible) and RTS Winner (Bodyguard). He has done Sound Design and Editing for Molinare LTD and his own company Marc Lawes Sound LTD. He has worked extensively in television and film throughout his career.
Assistant Dialogue Editor:
1997 The Saint
Foley Editor:
1997 The Saint
1998 Lock, Stock and Two Smoking Barrels
Sound Designer:
1997 The Saint
1998 Lock, Stock and Two Smoking Barrels
2022 Mrs. Harris Goes to Paris
Sound Editor:
1997 The Saint
1998 Lock, Stock and Two Smoking Barrels
2001 My Beautiful Son
2003 The Crooked Man
2022 Mrs. Harris Goes to Paris
???? Gin & Dry
Sound Effects Editor:
1997 Hard Edge
1997 The Saint
1998 Her Own Rules
1998 Lock, Stock and Two Smoking Barrels
1999 The Last Seduction II
2000 Happy Birthday Shakespeare
2001 Do or Die
2001 My Beautiful Son
2001 Princess of Thieves
2001 Trance
2003 Holy Cross
2003 Second Nature
2003 The Crooked Man
2004 Photo Finish
2006 Confetti
2006 Pickles: The Dog Who Won the World Cup
2009 Moon
2009 Nativity!
2009 Oil City Confidential
2010 Pelican Blood
2011 Hawk
2011 Ironclad
2012 Grabbers
2012 When the Lights Went Out
2015 Man Up
2016 Absolutely Fabulous: The Movie
2021 Hostile
2022 Mrs. Harris Goes to Paris
???? Gin & Dry
Supervising Sound Editor:
1997 Hard Edge
1997 The Saint
1998 Her Own Rules
1998 Lock, Stock and Two Smoking Barrels
1999 The Last Seduction II
2000 Happy Birthday Shakespeare
2001 Do or Die
2001 My Beautiful Son
2001 Princess of Thieves
2001 Trance
2003 Holy Cross
2003 Second Nature
2003 The Crooked Man
2004 Photo Finish
2006 Confetti
2006 Pickles: The Dog Who Won the World Cup
2009 Moon
2009 Nativity!
2009 Oil City Confidential
2010 Pelican Blood
2011 Hawk
2011 Ironclad
2012 Grabbers
2012 When the Lights Went Out
2015 Man Up
2016 Absolutely Fabulous: The Movie
2018 Mute
2021 Hostile
2022 Mrs. Harris Goes to Paris
???? Gin & Dry
Sound Editor:
1998 Maisie Raine
2000 Take a Girl Like You
Sound Effects Editor:
1997 Trial & Retribution
1998 Maisie Raine
2000 Second Sight
2000 Take a Girl Like You
2002 Foyle's War
2003 The Last Detective
2005 Afterlife
2005 Love Soup
2007 Fallen Angel
2007 Roman Mysteries
2009 Above Suspicion
2016 The Durrells
2017 Strike
2018 Bodyguard
2018 Mrs Wilson
2019 Deep Water
2019 The Capture
2020 Honour
2020 Soulmates
2021 Bloods
2022 Trigger Point
Sound Mixer:
1987 The Ruth Rendell Mysteries
1997 Trial & Retribution
1998 Grafters
1998 Maisie Raine
2000 Second Sight
2000 Take a Girl Like You
2002 Foyle's War
2002 The Cry
2003 The Last Detective
2005 Afterlife
2005 Love Soup
2005 Malice Aforethought
2007 Fallen Angel
2007 Roman Mysteries
2009 Above Suspicion
2016 The Durrells
2017 Strike
2018 Bodyguard
2018 Mrs Wilson
2019 Deep Water
2019 The Capture
2020 Honour
2020 Soulmates
2021 Bloods
2022 Trigger Point
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.